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(In a stickered Motown sleeve, still sealed with a cutout notch.)
This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A monster rollerskating track! "Big Guitar" is almost every bit as great as "Bounce Rock Skate Roll" – Vaughan's other classic from the time, and it's especially as good on the "rockin" side, which is an instrumental with some great Chris Stein-esque riffing, ... 12-inch, Vinyl record
Syl's last big record – a sweet bluesy groover for the clubs, with a bit of an older feel to it. "Ms Fine Brown Frame" was written with General Crook, who also produced and arranged. Backing on all tracks is by the James Cotton group. 12-inch, Vinyl record
A strange little 12" single! Side one features "Sign Of The Times", a mis-placed number that has Terry trying for the dancefloor crowd, in a mode that really doesn't fit with his voice or style. "Occasional Rain" is a great one though – a remake of the title track ... 12-inch, Vinyl record
The Joneses' revisit their legendary 70s hit "Sugar Pie Guy" – and serve up the tune here with a few nice 80s club touches! The "small slice" mix has a nice bubbling percussion feel underneath the vocals – one that keeps the hook in place, but changes up the rhythm ... 12-inch, Vinyl record
Sure, the politics seem a bit silly now – but the track's still one of Prince's last really compelling hits. It's got a totally infectious hook, a spare Timmy Thomas-ish beat, and a strangely captivating vocal that really sticks with us! The flip's a bit silly – a 10 minute extended ... 12-inch, Vinyl record