This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
The Euro (€), Pound (£), and Japanese Yen (¥) prices listed here are all approximate prices, to be used for comparison purposes only.
They are updated every day based on currency rates quoted to us by our bank — but understand that the final rate charged to you by your bank may differ.
Adding To Your Existing Order
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of Marion Brown's more ambitious albums – and a key bridge from his freer work of the late 60s, to his more contemplative sides of the early 70s. The instrumentation on the set's a bit more expanded than on other Brown albums – with saxes by Anthony Braxton and Bennie Maupin, piano ... LP, Vinyl record album
US issue of Marion Brown's classic Porto Novo record, one of his best, recorded in 1967 in Holland with Maarten Altena and Han Bennink. Marion plays hard with these two European masters of free playing, and the 5 tracks from the session stand as a great demonstration of his early power. The ... LP, Vinyl record album
The Jamfs are definitely coming on this one – as Johnny Griffin opens up into some of his most badass soloing of the 70s, caught here in an open-ended European styled mode! The album really features only 2 long tracks – recorded in the Cafe Montmartre style that Dexter Gordon used most ... LP, Vinyl record album
A great return to form for guitarist Sal Salvador – a player who didn't always get that much time in the spotlight in the 70s, until a big wave of fresh exposure from the Beehive label! Sal got his start in the Stan Kenton group, where he learned a great sense of color and phrasing – ... LP, Vinyl record album
One of Johnny Griffin's hard blowing LPs as a leader for Jazzland – recorded with a crack lineup that includes Blue Mitchell on trumpet, Julian Priester on trombone, Wynton Kelly on piano, Sam Jones on bass, and Albert Heath on drums! This is the kind of work that the term "hard ... LP, Vinyl record album
A late 70s set from tenor maestro George Coleman – who was never recorded often enough! The set has a really timeless quality, quite uncommon for pieces recorded at the tailend of the fusion mad late 70s, and at the cusp of the ultra polished 80s sound. The support players couldn't be ... LP, Vinyl record album
Fabulous stuff – one of the legendary albums that funky flute player Bobbi Humphrey cut with producer Larry Mizell! The record's a prime example of the Mizell genius at work – as Larry's arranged these fantastic backdrops for Bobbi's flute – soaring keyboard lines, layers and ... LP, Vinyl record album
A landmark album from Roland Kirk – one of his key 60s sides for Atlantic records, and an amazing blend of soul jazz, hardbop, and freer thinking styles! Roland's playing an insane assortment of horns on the set – often at the same time, if you know his 3-way style of blowing – ... LP, Vinyl record album
One of those key cases where Miles Davis took a familiar song and made it his own! The set's a live one, and features a famous 15 minute version of "My Funny Valentine" – played by Davis in a spacious, open sort of way – and one that has key hints of the modernism to come in ... LP, Vinyl record album
Donald Byrd's second foray into the "with voices" genre – done with the same arranging talents of Coleridge Perkinson, the lyrical modernist who made Donald's A New Perspective such a success! The group that plays with Byrd is excellent, and includes Freddie Roach, Herbie Hancock, ... LP, Vinyl record album
An overlooked gem from Jimmy McGriff – a swingin' groovy live set, with a tight combo that races through a good bunch of material – and sounds a lot better than the live groups on some of Jimmy's Sue albums from the time. The whole thing was recorded in Newark, NJ – the home of ... LP, Vinyl record album
A tremendous moment for the great George Adams as a leader – a record that won the reedman widespread attention after some key work in the bigger groups of Gil Evans and Charles Mingus! Adams is a searing, soulful player right from the start – stepping out strongly on tenor at the ... LP, Vinyl record album