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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
An excellent set that really shows Joe Henderson perched on the edge – hanging between his Blue Note hardbop work of the 60s, and his freer work of the early 70s! The lineup's a great one – with Kenny Barron on piano, Ron Carter on bass, and either Louis Hayes or Jack DeJohnette on ... CD
A classic straight session by Joe Henderson – cut during his early years, when he was breaking out of the box with a heck of a lot of fire! Kenny Dorham's subdued lyricism complements Joe's impassioned playing over the angular, yet still-swinging rythm section of Andrew Hill, Eddie Kahn and ... CD
One of Joe Henderson's greatest albums ever – a real treasure from his electric years at Milestone Records, and a set that showed he really had a lot more to offer for the scene of the 70s! The sound here is quite different than Joe's earlier work for Blue Note – a style that's ... CD
Classic early work by modern tenor genius Joe Henderson – very well titled with the use of "mode", given the new sound and new direction Henderson was taking his tenor in the 60s! The album's got Joe working at the head of an all-great lineup that includes Lee Morgan on trumpet, ... CD
There's nothing standard about this set – as Joe Henderson always brings something special to a recording session – especially at this point in his career! The album has a wonderful format – Joe's unique tenor tone set up beautifully alongside the bass of Rufus Reid and drums of ... CD
A great snapshot of Joe's electric years at Milestone, music that is quite different than Joe's earlier work for Blue Note! Titles include "Black Narcissus", "Mamacita", "Black Is The Color (Of My True Loves Mind)", "Gazelle", and "Canyon Lady". CD
Spare, stretched-out work from tenorist Joe Henderson – one of his hippest recordings of the 80s, and a great live date recorded with just bass and drums for accompaniment! Henderson's horn is heard in great company with the bass of Charlie Haden and drums of Al Foster – both players ... CD
Unissued live session from tenor legend Joe Henderson – with hip backing by the trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums! CD
A real moment of genius for Joe Henderson from the 80s – a spare trio session, recorded live at the Village Vanguard, in a mode that recalls Sonny Rollins classic sets there for Blue Note! And while Sonny often performed heavily in a trio setting, unfettered by chords in the rhythm section ... CD
A real moment of genius for Joe Henderson from the 80s – a spare trio session, recorded live at the Village Vanguard, in a mode that recalls Sonny Rollins classic sets there for Blue Note! And while Sonny often performed heavily in a trio setting, unfettered by chords in the rhythm section ... CD
A rare funky treasure – lost live material from Grant Green's hippest years at Blue Note – recorded in the early 70s funky years, but unissued for decades! The set's an incredibly smoking one – with loads of long tracks that really stretch out in a hard-hitting, bottom-heavy ... CD
A wonderfully free-thinking set by Kenny Dorham – and a record that really breaks from his earlier work! The album's not exactly experimental, but it features longer tracks with a looser approach than some of Dorham's sweeter shorter work – more in a rhythmically progressive mode that ... CD