John Stubblefield : Prelude (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Prelude

LP (Item 508861) Storyville (Denmark), 1978 — Condition: Near Mint-
Hardly a prelude – as the album's a fully-formed, fully-stated set right from the start – easily one of the best moments ever for reedman John Stubblefield – and an overlooked spiritual classic from the 70s! There's a vibe here that rivals the Strata East scene at their best – no surprise, given that in addition to Stubblefield on tenor and soprano sax, the record also features Cecil Bridgewater on trumpet, Onaje Allen Gumbs on keyboards, Cecil McBee on bass, Joe Chambers on drums, and Mtume on percussion! The approach is quite different than the usual Storyville record of the 70s – with long-spun tracks all composed by members of the group – wonderful tunes that really give John a great chance to show the full range of his talents. Titles include "Song For One", "Minor Impulse", "Twelve For KD", and "What's Gonna Be Is Gonna Be".  © 1996-2024, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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