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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Sonic Youth's major label debut – which is, somewhat perversely, less insistently accessible as the preceding Daydream Nation – with slow-building guitar squalls and oddball noise pop in just about equal measure! Goo is self-produced, with some assistance from their fellow Geffen ... LP, Vinyl record album
Pretty heavy rock from this early 70s British group – following very heavily in a Cream mode, with lots of deep bass, fuzzy guitars, and some kicking drums that almost sound like they might give out the odd break or two! Vocals are a bit tortured and a bit bluesy – but not bad overall, ... LP, Vinyl record album
Lou Reed's maybe a bit more subtle here than during his years with the Velvet Underground, and his earliest solo records – but he also has this new sort of maturity that really points the way forward to the years to come! Coney Island Baby further marks the continuing legacy of Lou Reed as a ... LP, Vinyl record album
The grandest scale and most elaborately furnished Black Sabbath album to this point – but they still bring the heavy! The title track is one of the most influential metal songs ever, with the foreboding lyrics, trudging stomp of a rhythmic pace and those bridges that are almost pretty – ... LP, Vinyl record album
The most polarizing of John Lennon's post Beatles ouvre – the strident, Spector-produced, sprawling mess that is Some Time In New York City – a record that has too much of every idea John & Yoko had at the time, which makes it all the more fascinating after all these years! Angry, ... LP, Vinyl record album
A bittersweet farewell from The Beatles – a record that definitely shows the fracturing unity of the group, with lots of near-solo moments – but a set that also makes us really wonder what they'd have done with all this genius, had they managed to hold it together! There's great hints ... LP, Vinyl record album
Later work from Booker T and crew – an album that always gets lost in the shuffle, but which also includes lots of great moments, and a bit more funk than in earlier years! The rhythm section's loosening up a bit on the set – led by the mighty Al Jackson, and working past that tight ... LP, Vinyl record album
The third album by The Stylistics – and a set that's still very much in the high-harmony territory of their first two classics! Thom Bell's still very firmly on deck this time around – arranging, producing, and writing a good deal of the material too – and the Sigma Sound ... LP, Vinyl record album