This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Nicely grooving material – with tracks that are a bit shorter than the usual Verve "celebrity meets celebrity" set, but which are no less well-played. Dizzy is always fantastic in this sort of loosely-crafted setting – and Getz's playing here is nicely relaxed, with more open- ... CD
Arguably THE classic Cal Tjader album of the 60s – a landmark album that crossed over equally into Latin, jazz, and mainstream audiences – and a stone cooker that's filled with smoking little grooves! The set's probably best known for its title track "Soul Sauce" – one ... CD
The tenor of Stan Getz meets the baritone sax of Gerry Mulligan – and then they switch things around for half of the record, as Stan picks up the baritone and Mulligan takes on tenor! Gerry always seems to open up whole new sides of his playing when sharing the leader spotlight with another ... CD
Dizzy Gillespie, Stan Getz, Coleman Hawkins, et al
A great little jam session from Verve – done in a style that's looser and freer than some of the JATP albums, and with a smaller group overall! Players include Stan Getz, Paul Gonsalves, and Coleman Hawkins on tenor, Dizzy Gillespie on trumpet, and Wynton Kelly on piano – plus bass by ... CD
Pure dark magic from Grover Washington – a record that was a megahit back in the 70s, but which still sounds amazing many decades later! There's a sound here that's completely sublime – and the album is to Grover's career what the first 2 CTI sets by Bob James were to his – a ... CD
Amazing sounds from Joe Henderson's later years – a completely sublime take on the music of Billy Strayhorn, and a wonderful demonstration of Henderson's mature talents on the tenor! There's a fantastic balance here between darkness and light, grit and clarity, heard in Joe's very first ... CD
Herb Ellis gets a hearty helping of horns on this set – working with key performances from Jimmy Giuffre, Charlie Mariano, and Harry Edison – all of whom really round out the sound of the record! Herb's guitar is certainly at the forefront of the record, but it's sitting nicely in a ... CD
Easy-going Verve swing at its best – the kind of small group session that let a player like Harry "Sweets" Edison shine in a way that he didn't always get to do in a larger group! For this set, Edison's joined by Ben Webster on tenor sax, Barney Kessel on guitar, Jimmy Rowles on ... CD
Quite an interesting session from Bud Powell – a tribute to Thelonious Monk, recorded in Paris in 1961, but not issued until 1965, shortly before his death. Cannonball Adderley was the producer on the session, and it's got the same sort of groundbreaking approach as some of the other ... CD
Classic 60s work from Thelonious Monk – featuring his incredible quartet with Charlie Rouse on tenor, certainly Monk's best-ever musical soulmate! The album features some newer versions of older tunes, and a few written just for the album – but the source of the material is not ... CD