This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Excellent set of LA hardbop tracks by the great tenor player Teddy Edwards, with a group that includes Joe Castro, Leroy Vinnegar, and Billy Higgins. Edwards' tone is fantastic, and the tracks give him a chance to show off his soloing talent in a way that he didn't always reach on other recordings. ... CD
Joe Pass plays a host of Gershwin-penned material – working in a spare combo with a slightly different sound than usual! Pass' guitar still has that deep, round tone that you'll hear on his best Pablo sides – but the group also features rhythm guitar from John Pisano, who makes for a ... CD
The title's an apt one, as the session features spare, unaccompanied duets between guitarist Jim Hall and bassist Ron Carter – done at a time when both players were stepping into some of their warmest, most sensitive years. Hall's especially great here – and even though he had already ... CD
A seminal session from the team of Miles Davis & John Coltrane – not nearly as "cookin" (at least in a blowing session way) as you might guess from the title, but instead a beautiful example of the lyrically modern explorations the pair created together! Rhythm is by the trio ... CD
Charlie Mariano was one of the best things to ever happen to Shelly Manne – as the young altoist's icy talent was a perfect match for Manne's west coast cool, but his Boston soul really added a lot more emotional depth than had ever been previously recorded on some of Manne's sessions. This ... CD
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his ... CD
A stone classic from Steve Lacy – a record that was nearly as important to the soprano sax in jazz as it was to Lacy in his career! In one record, Lacy almost single-handedly takes the soprano sax into the modern age – working before Coltrane and others to push the instrument from its ... CD
Searing live work from Eric Dolphy – part of a series of recordings that set a whole new standard for live jazz recording! The record features Dolphy going even farther out than on his studio sides from the time – as the record features very long tracks performed by a crack group that ... CD
Our favorite-ever album by Alice Coltrane – a masterpiece of spirit and soul, recorded in a wonderfully open-handed style! The album's mostly a spare batch of tracks cut by Alice and her trio with Ron Carter and Ben Riley – but also features some guest work on sax by Joe Henderson and ... CD