A German disco classic from Munich Machine – and maybe the tightest album ever from the always-sharp studio group! Giorgio Moroder's at the head of the record on production, but the sound here is often a bit warmer than some of his own recordings – thanks to an ear for some of the more soulful instrumental sides of the dancefloor spectrum, particularly on the keyboard solos, which never have the coldness of Moroder's music – and thanks also to some well-placed vocals from soul singers Judith Jones and Yolande Howard, both of whom add a bit of personality to the record too! Yet that great Moroder ear for a dancefloor groove is still perfectly intact – as you'll hear on cuts that include "Let Your Body Shine", "Space Warrior", "Bolectro", "Easy", "Reputation", and "Fallen Angel". (Promo pressing. Cover has light wear & a promo stamp.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.