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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Moogy keyboards, disco grooves, and sweet female vocals make this a classic session from the Rinder & Lewis team – and the album's a lot better than you might think from the silly name of the group or the throwaway disco cover on the front! The keyboards really drive the album, hitting ... LP, Vinyl record album
The first album from Chicago soul singer James Wells – an artist with vocals that often run much deeper than some of his disco contemporaries at the time, and which really get a showcase here on some of the longer songs! There's often a lot of disco at the start of the records – long ... LP, Vinyl record album
A strange cover, but a mighty soulful set from Waldo – a really cool Columbia Records soul group with Tyrone Lester and James Brown on vocals, plus some sweet keyboards from Calvin Brunson too! The sound is tight, with the keyboards and basslines really setting the groove – with some ... LP, Vinyl record album
One of the best records by this great little modern soul trio who should have gone onto bigger and better things. The session's got a strong mellow groove, typical of some of the non-hit soul coming out of labels like Polydor and Capitol at the end of the 70s – and tracks include "Stares ... LP, Vinyl record album
A sublime set from Alton McClain & Destiny – one of the hippest female soul trios ever – and a group who definitely work at a level that's far above most of their contemporaries! The group's got a jazzy flourish here that really deepens their sound – a strong influence from ... LP, Vinyl record album
Right out of the subways and into the top 40! Titles include "Fast Car", "Mountains O Things", "She's Got Her Ticket", "Why", "For My Lover", "Behind The Wall", and "Talkin Bout A Revolution". LP, Vinyl record album
One of the stranger soul acts of their day – but with a great capacity for coming up with catchy groovers when they wanted to! This one features their standout hit "Treat Her Like A Lady", plus "Let Me Down Easy", "Since I Found My Baby", "Big Time ... LP, Vinyl record album
Rootsier material than usual for Prelude – recorded with a mix of southern soul and modern groove styles, a great platform for the vocals of Gayle Adams, one of the label's best singers. A few numbers are definitely aimed at the dancefloor – like the moogy groover "Love Fever" ... LP, Vinyl record album
Pretty nice later work from Grace! Although we prefer the percolating disco meets reggae records Grace Jones cut with Sly & Robbie to this later effort – but there's no denying that on a couple of numbers she really clicks with producer Trevor Horn's slick sheen. With "Ladies & ... LP, Vinyl record album
Not only a great soundtrack – but one of the best 70s albums by The Impressions! The set was written, arranged, and produced by the Curtom super-team of Rich Tufo and Lowrell Simon – and it's got a super-dope feel that reminds us of the work by Natural Four from the same time, with ... LP, Vinyl record album
Earth Wind & Fire cut this one a few years before the actual turn of the century – but that's a-ok with us, because Maurice White & company were always years ahead of their time! The record steps nicely off the modes used by EWF during the 80s – the tighter, more focused ... LP, Vinyl record album