This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the last great records by Charles Mingus – a set of extremely compelling original compositions, played by a fresh group of younger players, plus a few older masters! The record's got a fire and sense of emotion that's missing from a number of other 70s Mingus sessions – and it's ... LP, Vinyl record album
Wynton Marsalis is working in lean quartet formation here – no sax from brother Branford, whose own star was rising – and instead lots more room to really stretch out on his own languid lines on trumpet! The rest of the quartet features Marcus Roberts on piano, Robert Hurst on bass, ... LP, Vinyl record album
Casino has a smaller, tighter lineup than some of Al DiMeola's other records of the time, but the overall sound is still pretty far-reaching – thanks to a mix of keyboards from Barry Miles, and a blistering array of acoustic and electric guitars from Al himself! Steve Gadd propels the group ... LP, Vinyl record album
A strange one for Miles – kind of a repackaging of earlier work, done in a late 60s cover that has an image of outer space on the front and back! The tracks are mostly from the late 50s/early 60s Columbia albums, and titles include "Billy Boy", "So What", "All ... LP, Vinyl record album
Thelonious Monk may have written the title tune, but Miles Davis makes it all his own here – blowing with a subtle moody magic that makes the album one of his true treasures from the early Columbia Records years! John Coltrane's along on tenor sax – helping Davis expand the sound the ... LP, Vinyl record album
One of the great early albums in Michel Legrand's "travelogue" period – a set done at the same time as his musical portraits of Paris and Rio, and served up with a similar flair for the dramatic! The style here is somewhat different than Legrand's better-known soundtrack work of ... LP, Vinyl record album
The classic meeting of the great French arranger/pianist with American jazz players like Miles Davis, Ben Webster, Milt Hinton, Donald Byrd, Hank Jones, and others. The tracks are a beautiful strident blend of Legrand's best arranging styles, and they show his keen talent for letting the soloist ... LP, Vinyl record album
A great bit of 70s electric work from Quincy – and probably his funkiest album ever! Quincy's really stepping out here from the straighter and spacier styles of earlier records – going for more of the dirty grooves he was cutting up for soundtrack albums, and hitting notes that were a ... LP, Vinyl record album
A classic "discovery" of tenor saxophonist Von Freeman – one that was already relatively late in his career, but a key appearance on Atlantic under the auspices of Roland Kirk! The setting here is as loose and laidback as Von needs to really do his thing – backing by a trio ... LP, Vinyl record album