This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A really wonderful, very organic album from the duo of Anthony Braxton on reeds and Georg Grawe on piano – a set that's got a looser, freer vibe than some of Braxton's other music of the time – and which maybe takes us back to the spirit of some of earliest work on the Chicago scene! ... CD
Angular work from the Guillermo Gregorio Trio – a group with Gregorio on clarinet and tenor, Pandelis Karayorgis on piano, and Mat Maneri on electric violin! The sound here is somewhat obtuse at times – and reminds us a bit of Jimmy Giuffre's more "out" trio sides as the 60s ... CD
Pre-Atlantic work from Ornette Coleman – one of his first recorded statements in jazz – and one of his boldest! At some level, the complete Coleman sound isn't entirely in place here – as there's a bit of a trace of hardbop in the mix – not entirely, but just a bit. But at ... CD
The genius of Bird and strings is hard to describe – an edgey approach that really goes far past most other "jazz with strings" projects, not a ballad-driven one, but a tensely strained one that brings out some of Parker's best soloing, almost in a moody soundtrack-type way. The ... CD
Miles Davis' first-ever performance in Japan – a really unique concert that featured the quintet with Herbie Hancock, Ron Carter, and Tony Williams – augmented by a young Sam Rivers on tenor! The presence of Rivers really gives the set an edge – and although Miles is holding Sam ... CD
A lyrical masterpiece from the young Herbie Hancock – and a record that's really special for so many different reasons! First, the songs are really long and open – even more so than some of Hancock's other work – with a quality that's balanced between his soul jazz roots, and ... CD
The pairing of Donald Byrd on trumpet and Pepper Adams on baritone was a really wonderful one – a duo who didn't last that long on record, but made some really killer work that's featured here! The set's overflowing with goodness – tracks that appeared on the albums Chant, Royal Flush, ... CD
Late work from avant tenor legend Dewey Redman – and surprisingly great, with all the best energy of his sides from older years! The album features Dewey playing in a trio with Cameron Brown on bass and Leon Parker on drums – plus guest appearances on about half the tracks by a young ... CD