This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of our favorite records from Archie Shepp's "new traditionalism" years – a set of understated brilliance and beauty, and proof that Shepp's tenor could sound every bit as great on the inside of jazz as it did on the out! The group here is a quartet – with Ken Werner on ... LP, Vinyl record album
A great little set from Archie Shepp – one of his strongest of the 70s, and a real return to the kind of spiritual jamming he was doing at the end of his time with Impulse Records! The album's well-known for it's great track "Song For Mozambique" – a spare and righteous ... LP, Vinyl record album
One of Shepp's excellent straight sides from the late 70s – and like the rest of the best, recorded as a Japanese-only session for Denon. The "silver" in the title is Horace Silver – as 3 of the album's 4 long tracks are Silver compositions – played by Shepp with a ... LP, Vinyl record album
A very different album from Archie Shepp – and an introspective record that shows a whole new side of his talents! For the session, Shepp plays piano, not tenor – an instrument he handles with an angular, modern tone – one that seems to echo bits of Herbie Nichols and Thelonious ... LP, Vinyl record album
A classic bit of avant Shepp for Impulse – recorded in the mid 60s, at the same time as the Live in San Francisco album, with the same quintet, but not issued until years later! The album is in a different vein than the San Francisco album – one that shows the band stretching out more ... LP, Vinyl record album
A great ode to Dannie Richmond's longtime musical partner Charles Mingus – who'd passed shortly before this session – done with styles and sounds that are quite different than some of Richmond's other work! The album's got a definite blue tone – Richmond really feeling Mingus' ... LP, Vinyl record album
A killer tribute to the music of Herbie Nichols – played by a committed batch of modernists who are clearly inspired by his genius! Misha Mengelberg's in the group on piano – and his angular lines on the keys have plenty of Nichols and then some – lots of Misha's own inventive ... LP, Vinyl record album
Art Farmer really found a great home for his music on the Soul Note label in the 80s – a place where he could continue to grow strongly, in ways that almost let him find a new sort of edge in his horn! This album's a wonderful example of the strengths that Farmer found at the label – ... LP, Vinyl record album