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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Dark genius from keyboardist Bob James – one of his seminal 70s classics for CTI! The album follows strongly in the spirit of the records One and Two – using James' spacious approach to Fender Rhodes alongside some backings that are electric, yet have an earthily funky quality that ... LP, Vinyl record album
Bad Bossa Nova is right – as Gene Ammons really hits a great groove here – one that's not exactly bossa, but which has lots of Latin and tropical touches! The session makes great use of 2 guitars at the same time – using that of Kenny Burrell for soulful rhythm, but also adding ... LP, Vinyl record album
Hodges leads a large group of Ellington players that includes Willie Cook, Clark Terry, Cat Anderson, Jimmy Hamilton, Harry Carney, Ray Nance, and Jimmy Woode. The overall sound has that Ellington-minus-Ellington, plus-Hoges feel of similar Verve sessions like these – with lots of nice ... LP, Vinyl record album
Mingus live is always a treat – especially in these later years, when the fire seemed to go out of most of his studio recordings. Live, though, he always managed to kick it hard - with the sort of emotion that graced his strong early albums. And despite the fact that this one's conducted by ... LP, Vinyl record album
A surprisingly great meeting between Kenny Burrell and Jimmy Smith – and a set that's one of Jimmy's standout small combo sessions for Verve! The feel here is much more Jimmy Smith at Blue Note than some of the bigger group Verve dates of the 60s – and Kenny Burrell's sensitive guitar ... LP, Vinyl record album
Totally groovy work from John Dankworth – a 70s album that features slightly electrified versions of some of his older film and TV themes! The approach is quite different than the originals at times – with horn passages that are even quirkier, and some cool use of electric piano by ... LP, Vinyl record album
Although Stan Kenton's always best known for his famous work with 50s LA reedmen, he's equally great at working with strings as he is with saxes! This set reunites Stan with arranger Pete Rugolo – the darkly modern talent who helped Kenton hit some of his highest heights in the early 50s, ... LP, Vinyl record album
Pieces include Telemann's "Violin Concerto In G Minor", Frescobaldi's "La Frescobalda", Cimarosa's "Larghetto In C Minor", and Bach's "Prelude No 2 In C Minor from Well Tempered Clavier Part II BWV 871", "Brandenburg Concerto No 6 BWV 1051", and ... LP, Vinyl record album