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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An obscure 50s session from bassist Aaron Bell – one of the player's few dates as a leader, cut at a time when he was working in Duke Ellington's group of the decade! As with some of Duke's other bassists, Bell's got a strongly pronounced tone – one that came through great in big group ... LP, Vinyl record album
With Tony Scott and Ben Webster on saxophone, Art Farmer on trumpet, George Duvivier on bass, Don Elliott on vibes, Osie Johnson on drums, and Ed Shaughnessy on drums and vibraphone. LP, Vinyl record album
Kind of a cool concept album for Doc Severinsen – one that has him blowing amidst some larger suites arranged by Oliver Nelson, Harry Betts, and Tommy Newsom – each with a slightly different feel! The set starts out with the hip "Rhapsody For Now" – comprised of some ... LP, Vinyl record album
A bit of an obscure session, but the first of John Lewis' works for a larger jazz orchestra – recorded with a lineup that includes larger strings and woodwinds next to rhythm backing by Percy Heath and Connie Kay of the MJQ! The tracks are all longer originals arranged by Lewis – ... LP, Vinyl record album
A 70s classic from the team of Toshiko Akioshi and Lew Tabackin – a duo who did for the jazz ensemble mode in their generation what Kenny Clarke and Francy Boland did in the 60s! The material here is wonderfully inventive – the kind of compositions that Toshiko wouldn't have even ... LP, Vinyl record album
One of the best records we've ever heard from pianist Lou Levy – a record that steps past the simple format of earlier records, into a style that's slightly modern, and very cool – thanks to the addition of vibes to his usual trio format. Larry Bunker plays vibes on the record, and ... LP, Vinyl record album
A landmark first album from drummer Norman Connors – a spiritual jazz masterpiece that builds wonderfully on the post-Coltrane tradition! Norman is years away from his smoother soul recordings at this point, and coming out of a righteous jazz background that included work with Marion Brown ... LP, Vinyl record album
Later genius from Rahsaan Roland Kirk – a record of wonderful depth and soul, and a session that moves back to the straighter jazz focus of some of his work from the Mercury years – yet still keeps all the personality and charm of the best Atlantic sides! Roland's playing in a warm ... LP, Vinyl record album