This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Percussionist Kahil El'Zabar leads the Ritual Trio, and the group's one of the truest extensions of the AACM spirit to still exist in Chicago. No wonder, though, as it's got Malachi Favors of the Art Ensemble on bass, as well as multi-faceted reedman Ari Brown on saxes. El'Zabar's the real core ... CD
Bud plays in trio format in Copenhagen in 1962, working with Niels Henning Orsted Pedersen on bass and William Schiopffe on drums. Titles include "Move", "Rifftide", "Bouncing With Bud", "Straight No Chaser", and "Hot House". CD
One of the best post-Paris live dates by the Art Ensemble Of Chicago – recorded right on their southside home turf in Chicago, as something of a homecoming after their years abroad! The performance is really one continuous piece, divided up into chapters – and it starts off with an ... CD
One of the first solo saxophone recordings of the 60s – recorded as one of the first few sessions by a young Anthony Braxton! As the title implies, the whole album features alto sax – played freely by Braxton with a depth of creativity and sense of humanity to rival any of the previous ... CD
An undisputed 70s soul jazz classic – and arguably the best album that Doug Carn ever cut for the Black Jazz label! The set is a masterpiece of spiritual jazz – with Carn on keyboards setting up the groove, and wife Jean singing some incredible vocals – very different than her ... CD
Don Cherry really breaks out here on his classic Mu sessions from France – using the new freedoms of post-68 Paris to explore themes at a level that would set the tone for generations to come! The album's very spare, and very improvised – with Cherry on pocket trumpet, piano, and ... CD
Recorded in Nashville and Menlo Park, with David Hungate, Jon Goin, Larry Byron, John Propst, Ray Carroll, and Bob Mater on the Nashville date; and Dick Hindman, Marshall Hawkins, Scott Morris, and Babatunde on the Menlo Park date. CD
Ted Reichman and Guy Klucevek on accordion, Randy McKean on alto saxophone, clarinet and bass clarinet, Don Byron on clarinet and bass clarinet, Marty Ehrlich on flute, clarinet, alto and tenor saxophone, and piccolo flute, JD Parran on flute and bamboo flute, clarinet, bass and alto clarinet, Anne ... CD
Marty Grosz on guitar, banjo and vocals, Dan Block on clarinet, bass clarinet, alto and baritone saxophone, Scott Robinson on clarinet, soprano, baritone and C melody saxophone, cornet and echo cornet and alto horn, Vince Giordana on string bass, tuba, and bass sax, Rob Garcia on drums and ... CD