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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the hippest of Jean Luc Ponty's mainstream efforts from the 70s – a tightly jamming album that's made even better by plenty of keyboards from Patrice Rushen! Rushen's sound really brings a warmer, more soulful groove to the record – stretching out with flowing solos that remind ... LP, Vinyl record album
Sweet keyboards and lots of funky grooves – one of the best of George Duke's seminal albums for MPS – and a record that captures him at a key middle point in his growth! The sound here is tighter than the trippier records of before, but also never too smooth or commercial – still ... LP, Vinyl record album
Killer keyboards from the legendary George Duke – and one of his most righteous albums for the MPS label! The album's a spectacular set that showcases both sides of Duke's genius at the time – his spacey, soulful approach to a laidback tune – and his more jamming styles on the ... LP, Vinyl record album
A Prestige pressing of this rare German MPS session by Hampton Hawes – recorded in trio format with backing by two of Europe's best rhythm players, bassist Eberhard Weber and drummer Klaus Weiss – and in a groove that's really wonderful! There's a great tone to the record that's ... LP, Vinyl record album
Duo recordings on two concert grand pianos by Jones and Flanagan, with titles including "Relaxin' At Camarillo", "In A Sentimental Mood", "Some Day My Prince Will Come", "Afternoon In Paris", "Au Privave", "I'm All Smiles", "Rockin' ... LP, Vinyl record album
One of those ultra-cool live albums recorded on the European scene by MPS – and, like the rest, a very hip meeting of unusual talents! The set includes exclusive performances by the Dave Pike Set on "Mambo Jack The Scoffer", Aladar Pege Quartet on "Lampe", Step Out With ... LP, Vinyl record album
Recorded live at the Donaueschingen Festival with the Kollktief, featuring Bob Driessen, Maarten van Norden, Ronald Snijders, Boy Raaymakers, Jan Wolff, Willem van Manen, Bernard Hunneking, Leo Cuypers, Arjen Gorter, and Rob Verdurmen. LP, Vinyl record album
A solo sparkler from Oscar Peterson – recorded in a flurry of excellent late 60s recordings for MPS, and done in a warmly rhythmic mode that puts Peterson's solo work right up there in the ranks of Tatum and Garner! The production on the album is immaculate – done with a depth that ... LP, Vinyl record album
One of those wonderful Monty Alexander albums from the 70s – recorded for the MPS label, and with a very different vibe than some of his later albums in the US! There's a warmth, flow, and soul here that comes through instantly – a way of fitting the piano right in with the rhythms, so ... LP, Vinyl record album
Jaki Byard proves that he's a pianist steeped in rich tradition – capable of reaching back to shake hands with the style of traditionalist Earl Hines, and clever enough to insert a dash of his own modernism into Hines' own style. Most tracks are done as piano-only duets – but a few on ... LP, Vinyl record album