This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A real step forward for Quincy Jones – a record that really shows the jazzman moving into sophisticated new territory – a sound that's just right for the CTI generation! The album's got a vibe that's a bit similar to Quincy's Walking In Space album, but it's a lot deeper too – ... CD
A surprisingly great album from Joshua Redman – and a follow-up to the Yaya set issued with the same group. Like the excellent Yaya album, the group on this one is a trio of Redman, keyboardist Sam Yahel, and drummer Brian Blade – grooving together in a slightly groovy, slightly ... CD
One of the few larger group Bill Evans sessions from the later years – an album that features sax and flute from Larry Schneider and trumpet from Tom Harrell – in addition to core trio instrumentation from Bill on piano, Marc Johnson on bass, and Joe LaBarbera on drums. The added horns ... CD
Sweet electric keys from the great Bob James – a record that's a bit smoother than some of his first few classics for CTI, but still plenty darn nice! The set's got Bob working with a range of key fusion and studio players who include Steve Gadd, Earl Klugh, Eric Gale, Hubert Laws, Mongo ... CD
Ambitious work from Jaco – a set of larger group recordings that have a really expansive feel! There's a jagged electric undercurrent to the set, but the album's also got some redemptive work from the larger group – bright, optimistic, and filled with a globe-spanning array of ... CD
Benson plays his guitar and also sings on some of these tracks. He is joined by Phil Upchurch on rhythm guitar, Ronnie Foster on electric piano & mini-moog, Jorge Dalto on clavinet & acoustic piano, Stanley Banks on bass, Harvey Mason on drums and Ralph MacDonald. Claus Ogerman arranged and ... CD
A real breakout set from the young Joshua Redman – the kind of record that made some mighty big ripples in the jazz world at the time – and which ended up in more record collections than we can count – and for good reason, too! The group's a rock-solid quartet – with Redman ... CD
Really beautiful work from Stephane Grappelli – a record that's got its roots in the sound of his older Hot Club work, but which also carries itself with a sense of modernism that really opens things up! The sound here is sparer and simpler at times – without as much of the gypsy swing ... CD