This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Moro No Brasil – Brazil's Finest Funk, Soul & Percussive Music
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
The second volume in Som Livre's series of samba tracks – featuring a selection of tunes that rework a classic samba sound into a modern groove that shows the evolution of the genre within popular audiences in Brazil. It's tracks like this that demonstrate how and why the samba's stayed ... CD
Dizzy Gillespie plays here with the great Don Byas on tenor sax – joining Diz on two different Parisian dates from early 1952, both of them pretty darn sweet! The first session here is quite unusual – in that it features Humberto Cano on congas – bringing in a bit of a Cubop ... CD
A very well-titled album – as it definitely features Zoot Sims and Al Cohn stretching out – pushing their groove a bit more than on some of their tightly-composed mid 50s sessions for RCA! The lineup is still slightly large – an octet that features Zoot and Al on tenor, plus the ... CD