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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Not as completely wonderful as Hal's more electric work – but not a bad album either. Galper always has a way with the piano (acoustic here) that lends itself to warm, blocky chords – perfect for our post hip hop-influenced ears, not as complicated as other jazz pianists, but filled ... LP, Vinyl record album
Freewheeling Cecil – in his best 70s mode – recorded live in Austria in 1976, playing beautifully on a Bosendorfer Grand piano! Taylor works wonders with the instrument – giving it a pyrotechnic workout during the extended performance on the set. The album features one long ... LP, Vinyl record album
Definite spontaneous sounds from the great Albert Mangelsdorff – a set that has the trombonist working alongside the up-and-coming Japanese pianist Masahiko Sato, who also plays some ring modulator on the album! Sato's almost the driving force here – although that role might also go to ... LP, Vinyl record album
Reedman John Stubblefield made some of his best records as a leader for Enja – and this is definitely one of them! The set has Stubblefield coming across with maturity and focus that you might not have found a few years before – that kind of ebullient, soulful style that some of his ... LP, Vinyl record album
We always love Erroll Garner in a fuller setting – something that's not always easy to find on record – and this album features his piano in the lead, over the top of some great backings from Leith Stevens – known best for his jazz soundtracks of the 50s! Stevens' provides a ... LP, Vinyl record album
Herbie Mann's going for a bit of a Memphis soul groove on this album – but he handles the work with his own sort of flair, and takes the style in a whole new direction! Unlike other sessions of this nature, Herbie didn't just fly down to Memphis and cook up a standard batch of tracks in the ... LP, Vinyl record album
The mostly orchestral music used for the Kubrick film, with alternating spooky and grand passages Strauss, Ligetti and others. Inlcudes "Also Sprach Zarathustra", "Requiem For Soprano, Mezzo-Soprano, Mixed Choirs & Orchestra", "Luz Aeterna", "The Blue ... LP, Vinyl record album
Jeffrey Osborne's really emerging strongly here in the mellow soul mode – especially on the album's two great ballad cuts, "Concentrate On You" and "We Both Deserve Each Other", both of which are smooth mellow steppers with a modern soul approach that's slightly less ... LP, Vinyl record album