This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Nicely grooving gutbucket tenor/organ material from a group that includes Groove Holmes, Teddy Edwards, and Pat Martino. Billy Higgins is on drums, and he gives the set a bit more swing than you'd expect – especially on the lighter, faster tunes. Titles include "Grooves' Blue ... LP, Vinyl record album
A killer from Groove Holmes – one of his rarest albums ever, a one-off session recorded for Blue Note, with a group that includes a young Weldon Irvine! Weldone was a hip up-and-comer at the time – and he not only plays electric piano on the set, but contributes some of the album's ... LP, Vinyl record album
A key album in the career of Richard Groove Holmes – his first session ever for Prestige Records, and the one that yielded the monster crossover hit version of "Misty"! The sound here is much leaner and cleaner than Groove in his Pacific Jazz years – a tight trio approach ... LP, Vinyl record album
Later work by Don Patterson – one of the best, and most free-swinging of the 60s soul jazz organists – recorded here in the early 70's, with the same tight organ jazz feel as his records for Prestige! Eddie Daniels plays tenor, alto, and soprano on the album – and the rest of the ... LP, Vinyl record album
Heavy organ from Gene Ludwig – in a group with George Green on tenor, Larry McGee on guitar, Kwasi Jayourba on percussion, and Tom Soisson on drums. Titles include "Welcome Back Kotter", "Bossa For La Lorelei", "Nica's Dream", and "I Worry About You". LP, Vinyl record album
This one was recorded in 1968, issued briefly on a small label, and then finally pressed for the larger masses during the early 70s by the Cobblestone label. Despite this checkered history, though, the album's one of Green's best small group recordings – and features a classic jazz organ ... LP, Vinyl record album
James Moody's definitely feelin it here – stepping back into a straighter hardbop mode after some funkier sets of the early 70s – really sounding great on tenor, alto, and flute – and working with a very hip quartet for the date! Kenny Barron's in the group on both electric and ... LP, Vinyl record album
Jaki Byard brings plenty to the table here – playing both tenor and alto sax, in addition to his usual piano – and showing once again that he's not just a multi-instrumentalist, but also one of the most multi-voiced talents in jazz! Byard seems to bring a similar spirit of multiplicity ... LP, Vinyl record album
An unusual album for Willis Jackson, in that it's got a bit of an African feel to it – thanks mostly to added congas and percussion, and some high life-sounding guitar work by Ted Dunbar. Mickey Tucker plays electric piano and organ, which gives the set a nice mellow tone. Jackson's tone is ... LP, Vinyl record album