This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A return to funky grooving for Medeski, Martin, & Wood – and a slamming set that really captures the energy of the group in performance! The trio move effortlessly through tight Hammond grooving and off-beat jazzy piano work, riffing hard in the jam-band mode that's made them a huge ... CD
A return to slightly funky work for MMW – lots of organ, Fender Rhodes, Wurlitzer, and other groovy keyboards from John Medeski driving the set, backed by some excellent rhythm work by Billy Martin and Chris Wood. This is probably their most compelling album in years – at least to our ... CD
A nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these ... CD
A very different album for Lee Morgan – especially in comparison with his other early sessions! The record is a gentle batch of ballads and standards, played by Morgan with a quartet that includes Sonny Clark on piano, Doug Watkins on bass, and Art Taylor on drums – all beautifully ... CD
Rare work by Charlie Parker, recorded at Storyville Nightclub in Boston in 1953 – originally broadcast on radio station WHDH, and featuring Bird in a more open, relaxed style than his studio sessions. The recording quality is a bit dated, but the quality of the playing isn't – with ... CD
An unusual set for both Dexter and Blue Note – first, because the set was recorded in Europe (not at Rudy Van Gelder's), and second because the tracks are all quite long! The album was recorded in Paris – and is cut in an open-ended format that's very much in the mode that Gordon would ... CD
A brilliant album – and real turning point for Herbie Hancock! After first coming onto the scene as the soul jazz hero between Blue Note funky classics like "Watermelon Man" or "Blind Man, Blind Man" – Herbie emerges here as a concerned modernist with a strand of ... CD