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Afrofilipino

LP (Item 5040) Salsoul, 1975 — Condition: Used
(€- || £- || ¥-) (approx.)

An amazing crossover moment of the 70s Latin scene! During the 60s Joe Bataan had been experimenting with the many different mode of Latin Soul – crossing over styles in a way that not only reflected his complicated roots, but which also tried to break Latin music out of the small uptown market it was getting locked into. On the album before this one, Joe coined the term Salsoul, which he used to describe his unique mix of salsa and soul – which on this record also gets a bit of an infusion of disco, which was a brilliant move by Joe, and broke the album out of the ghetto, onto dancefloors around the world. The centerpiece of the record is Joe's funky cover of Gil Scott-Heron's classic "The Bottle" – but just about every track is great, and there's loads of excellent titles like "Chico & The Man", "Women Don't Want To Love Me", "X-Rated Symphony", "When You're Down (Funky Mambo)", and remakes of older Latin Soul tunes "What Good Is A Castle" and "Ordinary Guy". (White label promo. Label has some marker. Cover has cut top corners, heavy ring & edge wear, and a name in marker on front.)  © 1996-2017, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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