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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A wonderful mix of subtle soul and down home rock – the kind of rare magic that could often happen best in the hands of A&M during the early 70s! Marc Benno's stepping out a bit here from his debut – working with a larger lineup that includes Bobby Womack and Jesse Davis on guitars ... LP, Vinyl record album
Procol Harum always had a very heady sound in their music – a mode that was much more complex than their contemporaries, full of these richer currents of sound that matched the deeper ideas in their music! Yet here, they really take things even farther over the top – working with an ... LP, Vinyl record album
Cat Stevens' most soulful moment! Long before he changed his name – and started setting his sights on Salman Rushdie – Cat Stevens decided to atone for the wrongdoings of previous A&M albums with this album! The record still contains a number of Cat's soporific folksy numbers ... LP, Vinyl record album
Pretty hip stuff, with a definite Coltrane influence – and Larry Young in the group on organ, along with Billy Cobham on drums and Armando Peraza on congas. Titles include "Naima", "A Love Supreme", "Let Us Go Into The House Of The Lord", "Meditation", ... LP, Vinyl record album