We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Obscure Commodore Records work from this great reedman – in a group that features Henry Coker and Benny Powell on trombones, plus Jimmy Jones on piano, Oscar Pettiford on bass, and Osie Johnson on drums! Titles include "Flute Song", "You're My Thrill", and "Frankosis& ... 7-inch, Vinyl record
Lovely solo piano work from Ellis Larkins – a player who almost always sounds better on his own than with a trio or group! This rare Storyville Records 10" session is one of Larkins' standout moments of the 50s – a set that's warm and lyrical, but without some of the too flowery ... 7-inch, Vinyl record
A great little album that's one of Getz's strongest from the period! The format for the album is in the mode of Hampton's early 50s Verve sides – long tracks, very open-ended, cut in a small group format that shows a different side than his more popular big band grooving. There's only 5 ... 7-inch, Vinyl record