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Soulful Moods Of Marvin Gaye (Natural Resources)

LP (Item 502784) Tamla/Natural Resources, 1961 — Condition: Near Mint-

Amazing early work from Marvin Gaye – a set that's more jazz than soul, with a really unique sort of sound! Marvin's vocals are sublime, but in a completely different way than on his later hits – almost a bit broken at times, next to some very broken-down piano lines used in the album's spare instrumentation – an off-tune keyboard that makes for a very heartfelt feel to the record, one that's more indie charm than Motown polish! Gaye's got a hint of Nat Cole at times, Sam Cooke at others – although without the poise of either – and although we'd love the record on its own, it's even more amazing as a key starting point for one of the most soulful evolutions of the 60s. Titles include "How High The Moon", "Love For Sale", "Always", "Easy Living", "Witchcraft", "You Don't Know What Love Is", and "Never Let You Go".  © 1996-2021, Dusty Groove, Inc.
(Late 70s pressing on Natural Resources. Cover has a cutout notch and lightly bent corners.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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