This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Bill Evans meets Bill Evans – in a uniquely-styled session that features overdubbed solo lines from Bill, creating a multi-piano sound that's really great! The approach sounds gimmicky, but it's not – and Evans carries all the sensitivity you might expect from the title and image on ... CD
Magical trio recordings from the classic trio that featured Bill Evans on piano, Scott LaFaro on bass, and Paul Motian on drums – a massive 3CD set of music, and one that brings together the complete June 1961 Village Vanguard recordings! The revolutionary bass work of LaFaro, and free-thinki ... CD
Missouri has never sounded so beautiful before – and, in some ways, maybe neither have guitarist Pat Metheny and bassist Charlie Haden! The album's a real standout for both musicians during this time in their career – almost a back to basics with the kind of sound that they really put ... CD
Features Gary Bartz on alto and tenor, David Sanchez on tenor, Frank Lacy on trombone, Russell Malone on guitar, and Chucho Valdes on piano – plus a strong percussion lineup including Jose Luis Quintana and Horacio 'El Negro' Hernandez! CD
One of the most open-ended Tal Farlow albums for Verve – and a wonderfully laidback set that lets him open up with that incredible tone, taking the electric guitar to a whole new place in jazz, and showing that the instrument has volumes to speak in both phrasing and tone! The group's a ... CD
A great little album that's one of Getz's strongest from the period! The format for the album is in the mode of Hampton's early 50s Verve sides – long tracks, very open-ended, cut in a small group format that shows a different side than his more popular big band grooving. There's only 5 ... CD
An unlikely pairing – but that's what makes the record so great! Mulligan and Hodges come together in this rare Verve set from the late 50s – an inspired combination of talents that really work some magic together. Hodges' tone is in the lead in our ears, always wonderful, especially ... CD
A classic pairing of the tenor of Stan Getz and the gentle rhythms of the LA scene of the 50s – and a record that stands up beautifully over the years! Clearly, someone at Verve thought that Stan should get in on the bug for west coast jazz at the time – and although the date was ... CD