This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Warm, wonderful work from pianist John Hicks – stretching out here in a trio set that also features some vibes from Bobby Hutcherson! The best tracks here have that great Hicks groove – a style that's not really funky or modal, but leaping forward with a warm approach to the rhythms ... CD
Features Clark Terry and Greg Gisbert on trumpet, Al Grey on Trombone, Joshua Redman on tenor, Ron Carter on bass, Grady Tate on drums, and Hicks on piano. CD
Great work as a leader from Don Braden – a set that was one of his last before moving onto bigger-label fame, and one that's very firmly rooted in the soul jazz underground! Don's got a really classic sound on his tenor – blowing with focus, poise, and a hell of a lot of soul – ... CD
An early moment of brilliance from Vincent Herring – and just the sort of set to make him one of the strongest young talents to emerge in jazz during the 90s! There's a rock-solid feel to the set – an approach that's steeped in classic hardbop modes, but which has traces of modernism ... CD
Ralph Moore's a player we always like to keep our ear on, and this album's no exception – a cracklingly soulful batch of tunes played with a razor-sharp quintet, all tied together beautifully with Moore's tenor on top! The date's great proof that rock-solid sessions could still be cut well ... CD
A killer hardbop session – and a long lost classic! This stunning set is one of the best, and hardest sessions ever cut for the Bethlehem label – and it's got a raw pounding groove that sounds a lot more like some of the classic soul-tinged hardbop coming out on Prestige during the ... CD
Way more than just a Gershwin Songbook sort of record – thanks to some tremendous blowing here by Zoot Sims, who's mellowed nicely with age, and comes up with a wonderful sound for the record! It may just be us, but there seems to be a lot more soul in Zoot's horn than ever before – ... CD
One of the most unique albums from Ramsey Lewis' early years at Chess Records – a spare set of bossa groovers that has the Lewis trio with Eldee Young and Redd Holt augmented by added Brazilian percussion and guitar! The sound is spare, sharp, and soulful – and the record's one of the ... CD
One of the best sessions as a leader ever cut by Lester Bowie – and one of the few to really share the warmth and imagination of his work with the Art Ensemble! The session features Bowie on trumpet, Arthur Blyteh on alto, Amina Myers on piano and voice, Malachi Favors on bass, and Phillip ... CD
A brilliant set of straight jazz material from Roy Ayers – a set recorded for Atlantic at a time when he was working for the label in Herbie Mann's group – but done in a much more righteous groove that really points the way towards Roy's growth in the 70s! The lineup changes a bit ... CD