This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Rare Blue Note work from Dexter Gordon – an album that was recorded during Gordon's legendary run for the label in the 60s, but not issued until a brief vinyl pressing nearly 15 years later! The record's got Gordon vamping in tight hardbop formation – a sound that's strongly 60s Blue ... CD
A great American set from Dexter Gordon – recorded at a time when most of his bigger records were coming from overseas! The set's got some nice long tracks that really let Gordon open up on tenor – on those well-blown, longform solo modes he was really cracking in the European scene ... CD
A great American set from Dexter Gordon – recorded at a time when most of his bigger records were coming from overseas! The set's got some nice long tracks that really let Gordon open up on tenor – on those well-blown, longform solo modes he was really cracking in the European scene ... CD
One of Dexter Gordon's proudest moments of the 50s – a rock-solid session for Bethlehem – easily one of the best-remembered hardbop sides from the label's California years! The album's got a relaxed, free-blown sound that's quite nice – with Dex in the lead on tenor, supported by ... CD
One of Dexter Gordon's proudest moments of the 50s – a rock-solid session for Bethlehem – easily one of the best-remembered hardbop sides from the label's California years! The album's got a relaxed, free-blown sound that's quite nice – with Dex in the lead on tenor, supported by ... CD
Later genius from Dexter Gordon – an album recorded upon his return to the US in 1976, and done in a style that breaks the bounds of some of his sessions in Europe! Gordon seems to take new life in the recording – moving past the simple role of main soloist on familiar tunes, and ... CD
An overlooked US date from 1970 – a set that Dexter Gordon recorded during a quick stop home from his time abroad – really cooking away in the Prestige studios with a great little rhythm section, in ways that are quite different than his better-known European work of the time! The ... CD
An overlooked US date from 1970 – a set that Dexter Gordon recorded during a quick stop home from his time abroad – really cooking away in the Prestige studios with a great little rhythm section, in ways that are quite different than his better-known European work of the time! The ... CD
Straight and strong work from Dex – recorded in the extended blowing mode of some of his late 60s work from Europe, but recorded back in the US, in Baltimore, with a quartet that includes Bobby Timmons on piano, Victor Gaskin on bass, and Percy Brice on drums. The set's one of the last to ... CD
Jimmy Smith heard in the kind of setting that spawned him – playing live at Delaware's Club Baby Grand – just the sort of smoky little jazz room that initially fostered his talents! The liveness of the set brings a really nice edge to the album – a sound that's grittier than some ... CD
Brilliant work throughout – the last studio album ever cut by Lee Morgan, and a mindblowing session that always leaves us wondering how massive he would have become if he hadn't been tragically murdered shortly after it was recorded! The album's a huge change from Morgan's already-great work ... CD