This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A strong outing from the Joe Lovano nonet – recorded live at the Village Vanguard, with the feel of other classic work recorded in the legendary club! The album's stepped in traditions of large group work of the 50s and 60s – albums by artists like Tadd Dameron, Dizzy Gillespie, and ... CD
A really great showcase for the budding talents of Joe Lovano – heard here at a crucial point in his rise to glory on Blue Note! Joe had already been blowing greatness on tenor for years before this set, but these Village Vanguard recordings put Lovano in the same heady space as Joe ... CD
Features Joe Lovano, Ralph Lalama, George Garzone, Steve Slagle, and Gary Smulyan on saxophones – plus Conrad Herwig on trombone, Tim Hagans on trumpet, John Hicks on piano, Dennis Irwin on bass,and Lewis Nash on drums. CD
Warmth and magic from Terence Blanchard – an album of simple beauty and timeless soul that's one of the best we've heard from him to date! The set features a group that includes tenor, guitar, piano, Fender Rhodes, and organ – and overall, it's got a soulful depth that reminds us of ... CD
A much better record than you'd expect – one of Duke's funkiest sessions, and a hard swinging big band set with a great late 60s feel! The group is all-class all the way – with players that include Pearson, Bob Cranshaw, Mickey Roker, Marvin Stamm, Julian Priester, Frank Foster, and ... CD
Features Don Byron on clarinet and Bryan Carrott on vibes – plus guest work from David Murray on tenor and bass clarinet and Frank Lacy on trombone! CD
A real corker from Freddie Redd – and never issued at the time! Despite the fact that Freddie was part of one of the greatest sessions ever on Blue Note – the soundtrack to The Connection, done with Jackie McLean – he rarely got the chance to record more for the label, which is ... CD
A seminal "new thing" session from pianist Andrew Hill, and one of the greatest performances ever from a young Bobby Hutcherson! The record features a stunning quartet that includes Hill on piano, Hutcherson on vibes, and Richard Davis and Elvin Jones on rhythm – coming together ... CD
One of the few Blue Note albums with a bossa groove – and a great one too! The record features soulful tenor star Ike Quebec blowing in front of Brazilian-styled rhythms laid out by a combo that includes Kenny Burrell on guitar, and a duo of Latin percussionists! Willie Bobo plays drums on ... CD
Includes tracks by Jimmy Giuffre, Duke Ellington, June Christy, Hank Mobley, Lee Morgan, Bud Shank, Andrew Hill, Chico Hamilton, the Capitol Jazzmen, and Count Basie. CD
The only Blue Note album ever recorded by JR Monterose – one of the more enigmatic figures of the 50s scene! Montrose was a brilliant player, with a tone and a solo conception that were very unique – but he lapsed in relative obscurity, due to the fact that he had a penchant for ... CD