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Why do The Residents hate The Beatles? (2nd pressing with grey carrot on cover. Cover has moderate edge wear with some)
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Prime weirdness from The Residents! It's fair to consider Fingerprince as a transitional effort from the group, though it's not a dismissible one – it's out there, exciting and may be easier to get all the way through than some of the more anti-pop experiments they delivered in the mid-to-lat ... LP, Vinyl record album
Always-enigmatic sounds from The Residents – a bit more fully-formed than some of their earliest recordings, but still sprawled out nicely over the space of the full album! There's almost an Eraserhead feel to the music at times – dreamy, yet creepy – and other moments bring in ... LP, Vinyl record album
Seminal sounds from The Residents – a record that's purportedly inspired by the ceremonial music of the Eskimo – but it's very a much a Residents album, and one that follows their own absurdist adventuresome impulses! There's often this cold, drifting wave of sound in the background ... LP, Vinyl record album
Mindblowing sounds from The Residents – and a key link between arty experimentalism of the 60s and some of the darker noise moments of the 70s! The sound is incredibly rich – layers of textures coming from instruments played by the group, and supposedly material from their huge archive ... LP, Vinyl record album
Genius early work from Yello – recorded back when the group was a trio! The album features vocals from Dieter, electronics from Boris, and lots of tape and effects by Carlos Peron – coming up with a great sound that links together Perry-Kingsley, German Prog, and the shorter post-punk ... LP, Vinyl record album
One of the more heavily brooding albums ever cut by Leonard Cohen – and also one of the best – the iconic Songs Of Love And Hate from 1971! Cohen's aptly titled third LP, with the nice spare approach to production that most of his early work had, even more stripped down, with voice and ... LP, Vinyl record album
A classic! Where would electronic pop be without Gary Numan's "Cars"? Alongside Kraftwerk's classic 80s albums and Yellow Magic Orchestra's first LP, this album by Gary Numan ranks as one of the most essential synth driven LPs on a creative level – and it rightly brought the sound ... LP, Vinyl record album
With the classic "Bohemian Rhapsody" – plus "I'm In Love With My Car", "You're My Best Friend", "39", "Sweet Lady", "Seaside Rendezvous", "The Prophet's Song", "God Save The Queen", "Lazing On A Sunday ... LP, Vinyl record album
Not vocals, but a very cool instrumental set from guitarist Glen Campbell – done along the lines of some of his uncredited session work of the time! Includes drums from Hal Blaine and Earl Palmer, too! LP, Vinyl record album