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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
George Russell performs with his New York Big Band and Swedish Radio Jazz Orchestra. Notable personnel include Stanley Cowell, Waren Smith, Babafumi Akunyon, Terumasa Hino, Ricky Ford, Sabu Martinez, Rune Gustafsson, Arne Domnerus, Bernt Rosengren, Sven Larsson, and Bengt Edvarsson. LP, Vinyl record album
Duo recording by the two pianists, with titles including "On Green Dolphin Street", "Tea For Two" and the original compostions "Prelude", "Chromatics", "Wende", and "sonata For Two Pianos". LP, Vinyl record album
An incredible document of late 60s America – composed and conducted by Gary McFarland, in a style that's much more ambitious than any of his other work! The album's fully titled "America The Beautiful: An Account Of Its Disappearance" – and features "movements" ... LP, Vinyl record album
One of a rare few albums done by pianist Cecil Taylor for the Blue Note label in the 60s – some of the most outside work recorded for the imprint at the time! The word "structures" here is perhaps a bit misplaced – as the work has a strong sense of freedom with the soloists ... LP, Vinyl record album
Reedman Harold Alexander cut very few albums as a leader – and this is one of the best! You're likely to hear Alexander's work in the background on other sessions, but at the time of this record he was also a visionary leader – perfect for the open, freewheeling vibe allowed by the ... LP, Vinyl record album
An overlooked funky gem from Lou Donaldson – a later date for Blue Note, done in a style that's a bit expanded from his small combo sets of the 60s – but still filled with plenty of soul and groove! The lineup features core key players Leon Spencer on Hammond, Melvin Sparks on guitar, ... LP, Vinyl record album
Later solo work by Earl Fatha Hines – an unusual one for Fantasy, but a very nicely done session! Titles include "Deep Forest", "Blues For Tatum", "Ann", "In San Francisco", "You Can Depend On Me", "My Monday Date", "Piano ... LP, Vinyl record album
One of Ornette's great albums for the obscure Artists House label, and different from the one that he recorded with James Blood Ulmer, which was more of a straight-on Harmelodic work. This one's got him playing a set of tender sensitive duets with bassist and longtime accompanyist Charlie Haden. ... LP, Vinyl record album
One of the most enigmatic albums that Charles Mingus ever recorded – especially in his later years! The set features two very long tracks done by Mingus for use in a film about cocaine traffic between New York and Columbia – but considering the nature of the music, and the freely ... LP, Vinyl record album