This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Coltrane plays the blues, but in a way like nobody else – stepping off of the deeply soulful sound of his late Prestige years, and moving into even more open and exploratory space for Atlantic! The setting is bare bones and simple – and many of these numbers begin with the sort of ... CD
Features Roy Hargrove on trumpet and flugelhorn, Stephen Scott on piano, and Christian McBride on bass. Tracks include "Marmaduke", "Dewey Square", "Dexterity", "Laura", and "Yardbird Suite". CD
Some of the best material ever recorded by pianist Less McCann – lifted from his groovy mid 60s recordings for the Limelight and Mercury labels – including many gems that were buried on albums that had otherwise weaker material. Lots of these tracks have added instrumentation over Les' ... CD
Features the Gil Evans Orchestra and the George Gruntz Concert Jazz Band – in a live performance conducted by Quincy Jones. Features key contributions from Wallace Roney on trumpet and Kenny Garrett on alto sax. CD
Later work from trumpeter Don Cherry – and a great a showcase for the globe's worth of musical influences Cherry picked up over the years! Features Don Cherry on pocket trumpet, melodica, and vocals, plus contributions from Ed Blackwell on drums, Carlos Ward on alto sax, Nana Vasconcelos on ... CD
One of Chet Baker's best albums of the mid 60s – a tribute to Billie Holiday, one that has him both singing and playing, with a hip group that includes Hank Jones, Richard Davis, Seldon Powell, and Connie Kay. The format is quite nice, with arrangements by Jimmy Mundy that have just the ... CD
A classic set to feature the Bill Evans Trio with the great Scott Lafaro on bass and Paul Motian on drums! Listening to the set we're reminded of what always brings us back to Evans' playing – a quality that's often described as moody, but which is really is quite spry and lively throughout ... CD
Beautiful Columbia work from Thelonious Monk – a record that has as much warmth and charm as it does visionary modernist moments! A number of the tunes are standards, not Monk compositions – and they're done here with a sense of depth and joy of exploration that's really wonderful ... CD
A quintet date led by trombonist Noah Bless. Features guest flute from Alejandro Aviles. Tracks include "Canto De Ossanha", "49th Street", "Fire and Rain", and "Ganga" – plus the originals "Chasing Normal" and "The Key". CD
An album that has Monday Michiru returning to her jazz funk "roots", and singing with a band that plays live throughout, with no overdubs or samples. The band is a tight collective of young Japanese players, and they get a good hard sound that's reminiscent of the playing on the early ... CD
The O'Jays keep on going strong – hitting a smooth mellow Philly vibe that takes them away from the style of their mid 70s hits! The sound here is a bit more uptempo than on the previous album So Full Off Love – but the group are still also really using the time to explore their ... CD