This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Scott Hamilton seems a bit too young to actually remember a time when Billie Holiday walked this planet, but his music here definitely echoes a classic era of jazz – with a rich tenor sound that's always been steeped in plenty of influence from Lester Young and Ben Webster! The album's got a ... CD
One of the first statements of greatness from tenorist Scott Hamilton – a young player who emerged in the late 70s, but one with a definite old school sound! Scott blows here with a wind that's plenty good – very deep-toned, and with a raspy, honest quality that almost takes us back to ... CD
Louis Armstrong's opening night set at the first ever Monterey Jazz Festival – recordings now released for the first time ever – a walloping batch of trad jazz perfection from the inimitable Satchmo! The sound quality here is impeccable, and so are the players – including Trummy ... CD
With Chick Corea on grand piano and keyboards, Tim Garland on reeds and flute, Charles Altura on guitars, Hadrien Feraud on bass, and Marcus Gilmore on drums. CD
A massively expanded package of music – filled with previously unreleased gems! The 2CD set features a landmark collaboration between John Coltrane and Thelonious Monk – two generations of jazz modern, working here to create some really incredible music! The core of this material is ... CD
One of Stan's great early Concord albums – a surprisingly great period for his playing! The group here features James McNeely on piano, Marc Johnson on bass, and either Victor Lewis or Billy Hart on drums. CD
Features Flip Phillips and Scott Hamilton on tenor – with Chris Flory on on guitar, John Bunch piano, Phil Flanigan on bass, and Chuck Riggs on drums. CD
A lot nicer than you might think – very well-conceived, with some originals by Mulligan, too! Titles include "Gone", "Soft Lights & Sweet Music", "Noblesse", and "Ghosts". CD
Rob McConnell on valve trombone, Al Grey and Benny Powell on trombone, Harry "Sweets" Edison on trumpet, Ed Bickert on guitar, Gene Harris on piano, Neil Swainson on bass, and Alan Dawson on drums. CD