This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
The Euro (€), Pound (£), and Japanese Yen (¥) prices listed here are all approximate prices,
to be used for comparison purposes only.
They are updated every day based on currency rates quoted to us by our bank —
please understand that the final rate charged to you by your bank may differ.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect ... CD
Rock-solid live material from the classic Cannonball Adderley Sextet – a combo who could usually groove even better on a concert date then they could in the studio! The album's one of a number of key live sides from Cannon in the 60s – and although it pre-dates his work on Capitol, it's ... CD
A key meeting of Cannonball Adderley and David Axelrod – and one of the pair's first larger collaborations together! The album features Cannonball solos over larger backings by Oliver Nelson – with some occasional help from brother Nat Adderley – all produced with that dark ... CD
Rare work by Cannonball Adderley – recorded in the early 60s, but not issued until after his death! The album features live material – recorded in Tokyo and San Francisco – performed by Cannon's amazing sextet that includes Joe Zawinul on piano, Yusef Lateef on reeds, Nat ... CD
Featuring Vincent Herring, Eddie Henderson, Mulgrew Miller and Ira Coleman. 9 numbers in all, including "Tu-Way-Pock-E-Way", "Mirrors", "Caravanserai", "Ruth", "Mariposa", "Lady In My Life", "Circles", "Come Back to Me" ... CD
Funky funky funky! Lonnie plays live with a tight group that includes tenor, guitar, and some very heavy drumming – really wailing at a level that was surprising for funky organists of the time, and which really set the pace for a whole new generation! The players are more obscure than on ... CD
A compelling album of twin-piano lines – one in which Bill Evans and Bob Brookmeyer play head-to-head, in a spiraling modernist style that brings out the best in each player! Although Brookmeyer's best known as a trombonist, he's pretty great here on piano – and the album's a real ... CD
An amazing set from altoist Sonny Red – a player who hardly ever got to make any albums as a leader, and who really burns brightly on this Blue Note classic! Red's got a tone on alto that's as deep and sharp as most tenorists of his generation – extremely soulful, but with a really ... CD
About as classic as you can get for the Brown/Roach group – recorded at Basin Street with a group that includes Richie Powell on piano, Sonny Rollins on tenor, and George Morrow on bass. Tracks are tight and in that firey hardbop mode the pair pioneered – and titles include "Gertru ... CD
One of the best pre-1960 sessions by Cecil Taylor, recorded in Boston in 1956, and originally issued on the totally rare Transition label in a very small pressing! Taylor's playing here with the great bassist Buell Neidlinger, one of his prime compaitriots in the early days, and the trio (with ... CD