Buck Clayton & Buddy Tate : Kansas City Nights (Buck & Buddy/Buck & Buddy Blow The Blues) (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Kansas City Nights (Buck & Buddy/Buck & Buddy Blow The Blues)

LP (Item 500868) Prestige/Swingville, 1960/1961 — Condition: Very Good+
2LP Gatefold
Temporarily Out Of Stock

LP, Vinyl record album

✈
❔
A 2-fer set from the 70s – with 2 great older albums from Buck & Buddy! First up is the self-titled Buck & Buddy – beautiful blowing from Buck Clayton and Buddy Tate – captured here in the relaxed, easy-going setting of the Swingville label! The album's got a lot more charm than some of Clayton's sides for Columbia – a bit more mellow, with the kind of after hours feel that lets players like these show their strongest suits on their instruments. Clayton plays trumpet, Tate tenor – and rhythm is from the trio of Sir Charles Thompson on piano, Gene Ramey on bass, and Mousie Alexander on drums. Titles include "High Life", "Birdland Betty", "Can't We Be Friends", and "Kansas City Nights". Next Is Buck & Buddy Blow The Blues – a romping little session from Buck Clayton and Buddy Tate – served up in a looser, more relaxed setting than the former's albums for Columbia, and a slightly more swing-based mode than the latter's dates for Chess! Both horn players get plenty of room to solo in the open-ended Swingville mode – Buck on trumpet and Buddy on both tenor and clarinet – and the group's a nice one too, since Sir Charles Thompson's playing piano, Gene Ramey's on bass, and Gus Johnson's on drums. Titles include "Blue Creek", "Blue Breeze", "Blue Ebony", "Rompin At Red Bank", and "Dallas Delight".  © 1996-2024, Dusty Groove, Inc.
(Cover has some ring and edge wear, small peeled spot filled with green marker, and is bent a bit at the spine.)

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Roland Kirk with Jack McDuff

Funk Underneath (aka Kirk's Work)
Prestige, 1966. Very Good+
A strange and tasty little album that Roland Kirk made with organist Jack McDuff in the early 60s – one of his few outings in such a format, and a smoking little session that almost makes us wish he'd cut more of them! The format is relatively simple – with lots of interplay between ... LP, Vinyl record album

Gene Ammons & Dexter Gordon

Chase
Prestige, 1971. Very Good
Gritty live work from twin tenor giants Gene Ammons and Dexter Gordon – recorded in an open-ended style that's a bit like some of Gordon's famous early work on the Central Avenue scene in LA, or Ammons' famous live "battles" with Sonny Stitt! The date was recorded in Chicago at the ... LP, Vinyl record album

Red Garland

All Mornin' Long
Prestige, 1957. Near Mint-
One of the greatest albums ever issued under the name of pianist Red Garland – a standout blowing session in the best Prestige Records style of the late 50s! Red's the leader, but the session's equally weighted towards all players – including trumpeter Donald Byrd, and tenorist John ... LP, Vinyl record album

Kenny Burrell & John Coltrane

Kenny Burrell & John Coltrane
Prestige, 1958. Near Mint-
One of our favorite Kenny Burrell albums – and a record with a much deeper feel than lots of his other work! Kenny cut this album with John Coltrane in 1958 – and the session's a real standout in both of their careers at the time – Kenny's, for being a well-crafted, highly-focused ... LP, Vinyl record album

Sonny Stitt

Primitivo Soul
Prestige, 1964. Very Good+
A really great session from Sonny Stitt – and one with a slightly different vibe than usual! That vibe comes from the work of two Latin percussionists – Marcelino Valdez on congas and Osvaldo Martinez on bongos – both of whom really a a lot to the groove next to the drums of ... LP, Vinyl record album

Red Garland

Manteca
Prestige, 1958. Very Good
One of the best by Red Garland for Prestige – a totally cooking record that features some great added conga work from Ray Barretto! Ray's presence really helps the record live up to its Latin-styled title – and Garland's usual trio with Paul Chambers on bass and Art Taylor on drums ... LP, Vinyl record album

Sonny Rollins

Moving Out
Prestige, 1954. Very Good-
Key recordings from Sonny's breakout year of 1954 – tracks from 2 different sessions, brought together into one album that packs a hell of a punch! The modernist Rollins tenor is at its early peak here – fresh, bold, and highly creative – yet equally concerned with the role of ... LP, Vinyl record album
Prestige, 1958. Very Good-
A record that's virtually the blueprint for the sound of Hammond organ and tenor sax in soul jazz– the first of Eddie Lockjaw Davis' great run of cookbook albums for Prestige! The record features Lockjaw's gutsy tenor in a group alongside Jerome Richardson's lighter flute – both ... LP, Vinyl record album

Miles Davis

Bags Groove
Prestige, 1954. Near Mint-
Classic Miles Davis from that pivotal year of 1954 – featuring work from 2 different sessions, both of them great! The title track on the album is a key reading of "Bag's Groove", presented here in two versions, both recorded by a quintet that includes Milt "Bags" Jackson ... LP, Vinyl record album

Sonny Rollins

Vintage Sessions
Prestige, Mid 50s. Near Mint- 2LP Gatefold
Early Rollins work for Prestige – recorded between 1951 and 1954, in a variety of settings! Like a lot of the other Milestone 2LP sets issued in the 70s, this album collects tracks from a number of sessions, restoring recordings to the order they were recorded in rather than how they were ... LP, Vinyl record album

Jimmy McGriff

Thing To Come By
Solid State, 1969. Very Good Gatefold
A really fantastic record from Hammond hero Jimmy McGriff – and one that has him opening up his groove a fair bit more than on his early Sue Records sides! Jimmy's sense of rhythm and timing here is great – really changing up and keeping things interesting – still with enough of ... LP, Vinyl record album

Miles Davis

Miles In The Sky
Columbia, 1968. Very Good
Miles Davis makes the electric transition – in this groundbreaking set from the late 60s! The classic mid 60s quintet is still in place here – Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums – but the sound is looser, freer, and ... LP, Vinyl record album
 



⇑ Top