This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A rare Japanese-only session from Herbie Hancock – very electric, and nicely funky in all the right parts! The set was recorded at the end of the 70s with amazing fidelity – and features a unique lineup that includes Webster Lewis on additional keyboards and Alphonse Mouzon on drums ... CD
A striking package – filled with music to match! This set includes 34 tracks and some of the best moments from Flood, Manchild, Secrets, Death Wish, Thrust, Sextant, Magic Windows, Future Shock, and Sunlight – plus great cuts recorded with his VSOP group! CD
Herbie's still in electro-grooving mode here – not groundbreaking as earlier records, but still handled by Bill Laswell, and with a tackhead groove pretty firmly in place. The tracks are a bit more complicated than before, with vocals by Sugarfoot, and bass by Bootsy Collins. Titles include ... CD
A nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these ... CD
A lyrical masterpiece from the young Herbie Hancock – and a record that's really special for so many different reasons! First, the songs are really long and open – even more so than some of Hancock's other work – with a quality that's balanced between his soul jazz roots, and ... CD
A wonderful Herbie Hancock session from the 60s – a Blue Note album that's sometimes overlooked, but which really shows Herbie taking off – as he adds a nice dose of lyricism into his usual soul jazz approach from the 60s! The sound's a bit farther-reaching than on some of Hancock's ... CD
Herbie Hancock is certainly Takin Off at this point in his career – stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one ... CD
A real classic by alto giant Jackie McLean – a record that's pulled from two different sessions, but which stands out with a strikingly unified feel! The album was cut during the height of Jackie's bop years for Blue Note – with material from one 1959 session that features Donald Byrd ... CD
A pivotal record from Lou Donaldson – one that has him forging out some of his first funky soul jazz sounds, moving from his bop roots, and working with a hip young group that includes Grant Green and John Patton, both of whom he discovered and brought to Blue Note (thanks Lou!) The tracks ... CD
Some of the funkiest work on guitar ever recorded – and a great overview of the legendary sessions that Grant Green recorded for Blue Note in the late 60s and early 70s! Years back, the label used to disown these sessions – claiming they were more commercial and lower-quality than ... CD
Great stuff, and one of Jackie McLean's best for Blue Note from the "new thing" period! The album features Jackie working out a wealth of new ideas, in a quartet that includes Larry Willis on piano, Bob Cranshaw on bass, and Clifford Jarvis on drums. Jackie holds down the frontline ... CD
An undisputed masterpiece by Lee Morgan – and one of the first records in which he shed his straight bop sensibility, and began evolving into a soulful genius for the 60s! The album's got 4 long tracks that all build beautifully – really extended numbers that break the format of some ... CD