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Porgy & Bess (2LP version)
LP (Item 500673) Verve, 1957 — Condition: Very Good- 2LP Gatefold
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One of the hippest takes ever on the Porgy & Bess score – done in duet format by Ella Fitzgerald and Louis Armstrong, in a fuller spirit than their other albums for Verve! Like many late 50s albums of Gershwin's score, this one was issued in advance of the film with Sidney Poitier – but unlike most, this is less of a cash-in affair, and really takes Gershwin's music on its own – serving it up with that newly serious style that Verve was hitting with some artists, especially Ella, in the latter half of the 50s. Most tracks have relatively full backings – strings and jazz orchestrations – and the double-length set features 15 tracks that include "Buzzard Song", "I Got Plenty O Nuttin", "My Man's Gone Now", "I Wants To Stay Here", "Summertime", "It Ain't Necessarily So", "What You Want Wid Bess", "There's A Boat Dat's Leavin Soon For New York", "Oh Lawd I'm On My Way", and "A Woman Is A Sometime Thing". © 1996-2024, Dusty Groove, Inc.
(Mono Verve Records Inc pressing with deep groove. Includes intact booklet. Side 2 has some light heat and plays with surface noise. Cover has edge wear, half split top seams.)
(Mono Verve Records Inc pressing with deep groove. Includes intact booklet. Side 2 has some light heat and plays with surface noise. Cover has edge wear, half split top seams.)
Very Good - (minus)
- Vinyl may be dirty, and can lack a fair amount of luster.
- Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
- This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
- Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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