This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Two lost smokers from vibes legend Johnny Lytle – back to back on a single CD! The Soulful Rebel is lost early 70s set from Lytle – totally funky, but in a way that's very different than his famous 60s work! The album's got a sweet electric groove that comes not only from Johnny's ... CD
Pretty darn nice stuff from McCoy Tyner, from a period when he was opening up to the soul jazz spiritualism that was around him – a movement that was clearly directly inspired by his work with Coltrane, but which also helped to shape his playing, and return the favor of influence. The group ... CD
Quite a unique set from Lee Konitz – recorded during a late 60s period where he was wonderfully experimental with his sound! For the album, Konitz is joined by Marshall Brown on valve trombone & baritone horn, Dick Katz on piano & electric piano, Eddie Gomez on bass and Jack De ... CD
A nice later set from the mighty burner, after he returned to the more bluesy organ based format from the more R&B and fusion inflected sets he'd released throughout the late 70s and early 80s. Though the rough edges are a bit more smoothed out on some of the numbers than we'd care for, the ... CD
Twin alto frenzy from the team of Richie Cole and Hank Crawford – a set that has lots of the sharp edges that you'd expect from Cole's 70s classics on Muse! Not all of the material is bossa – although there are a few nice samba-styled groovers – as other cuts have the boppish ... CD
Includes the songs "The Dipsy Doodle", "Dance Of The Reed Flutes", "Careless Hands", "Lullaby", "Dig Me, Honey", "My Reverie", "The Lonesome Road", "I'm Beginning To Miss You", "A Study In Brown (Theme Song)", ... CD
An exquisite bit of modernist hardbop – recorded by Freddie Redd with the same sort of sound that he brought to the classic Connection recording, also done for Blue Note! As with that session, Redd is working here with alto from a young Jackie McLean's on alto sax – really at the top ... CD