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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Shaw and Braxton are an unlikely pair of fronliners – as one's got a soulful modal style, and the other's a colder modernist – but they work surprisingly well together on this album, which mixes players throughout the album, by adding in Muhal Richard Abrams, Cecil McBee, Arthur Blythe, ... LP, Vinyl record album
An excellent hard bop side from the late 80s, an era when the new "young lions" were getting a lot of press, and some nice recordings were being made with any eye on the future while their feet were firmly planted in tradition. This set features two players of Cindy's generation in the ... LP, Vinyl record album
A lovely record from Woody – one of his excellent and understated sides from the early 80s, recorded with a quartet that includes Cedar Walton on piano, Buster Williams on bass, and Victor Jones on drums. The tunes are mostly standards, but they're handled with a soulful depth that really ... LP, Vinyl record album
An obscure 80s date from Bud Shank – one that features a great quartet with Kenny Barron on piano, Ron Carter on bass, and Al Foster on drums – all of whom give the set a very different groove than usual for Bud! Titles include "Visa", "Space Maker", "Never ... LP, Vinyl record album
A very nice record that bassist Davis did for Muse in the late 70s. As with previous recordings he works closely with fellow bass player Bill Lee. Lee plays on the record, co-produced and arranged the album and shares songwriting credit with Davis on a couple of the tracks. Davis is joined by Ted ... LP, Vinyl record album
A great late 80s session by trumpeter Wallace Roney – bold, and strongly-blown – proof that he was clearly one of the most striking young trumpet talents of his generation! The album is nicely open-ended, and freely crafted with a strong group that includes Kenny Garrett on alto, Gary ... LP, Vinyl record album
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an ... LP, Vinyl record album