This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A burner of a set from Tito Puente – very well titled to suit the energy of the session! The tracks are all highly rhythmic numbers – short, but filled with jazzy horn flourishes and the kind of snapping rhythms that made the Puente group one of the biggest crossover favorites of the ... LP, Vinyl record album
One of the greatest Tito Puente albums from the 50s, and a spare percussion jam session that's right up there with his legendary Puente In Percussion album! The group features Mongo Santamaria, Bill Correa, Julito Collazo, and Enrigue Marti on percussion with Tito – and the only other ... LP, Vinyl record album
Amazing early work from Ricardo Ray – material that's got a lot more fire than some of his better-known sides from the 70s! The album's a stone cooker all the way through – played by a tight young group with lots of descarga energy in their blood, and some of the pre-Latin Soul styles ... LP, Vinyl record album
Seemed like Joe was always in a mambo mood at the time he was making these sides for Tico – but that's A-OK with us, as the record's a corker – tight little grooves in Joe's best percussion/piano format! A few tracks even have some vibes, which makes for a nice sound – and titles ... LP, Vinyl record album
Hot and wild – two of the best words you could use to describe the late 60s Latin Soul material of Pete Rodriguez – especially on an album like this! This album has Pete and his combo at their best – stepping effortlessly between English-language, soul-based tracks – and ... LP, Vinyl record album
(Orange label pressing with deep groove. Cover has a split bottom seam, splitting on the top seam, clear tape remnant, light wear & aging.)LP, Vinyl record album
A strangely wonderful Latin set with a very drum-heavy approach! Cuban percussionist Walfredo plays in a large group with Louie Belson on the regular kit and "moog drum" – and the rest of the group features strong Latin players like Francisco Aguabella, Clare Fischer, Emil Richards ... LP, Vinyl record album
Wonderfully jazzy work from Tito Rodriguez – and further proof that his live albums are often some of the best he ever recorded! The set's got an earthy feel that's quite different than some of Tito's studio albums – still that tight groove he brought to Latin music at the end of the ... LP, Vinyl record album
A great early album by Oscar – one that focuses on his own compositions, and a few other hip tunes written by other jazz players, with new vocals added by Oscar! These kind of tracks are the stuff that made him a legend instantly – strongly voiced vocal tunes, handled with a flair that ... LP, Vinyl record album
One of the great End LPs by The Flamingos, who at this point were at their peak, and were recording with these amazing studio arrangements by Sammy Lowe. Lots of cool stuff in the same vein as "I Only Have Eyes For You", like "Besame Mucho", "You Belong To My Heart", ... LP, Vinyl record album