This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Excellent later work from Frank Morgan – the legendary LA altoist who first burned brightly in the bop generation, then came back to make really rich recordings like this! The set's got Frank in some really great company – a hip sextet that features Joe Henderson on tenor, Bobby ... CD
The Newborn Touch is always a great one, but it sounds especially nice on this record – a set that seems to go even farther than any of Phineas' earlier trio sessions! There's an almost-ambitious sound to the record that we really like a lot – one that possibly comes from Newborn's ... CD
Pretty incredible work from Lennie Niehaus – one of his seminal albums for Contemporary – nearly all of which were as poorly titled as this one, but equally worth checking out! This side has Lennie grooving on alto – blowing in a tighter, harder style than most west coasters ... CD
A great date from the later revival years of altoist Frank Morgan – thanks to a warm performance from the Cedar Walton trio! One of the great things about late Morgan is the way in which he's able to really fit himself into different settings – still holding onto his soulful roots, but ... CD
A goofy title and cover – but a really unique session of two-piano jazz, recorded with Russ Freeman and Andre Previn on the keys, plus only the drums of Shelly Manne to provide additional support! The sound is really great – and Previn's especially wonderful here, really stretching out ... CD
Sublime work from this oft-overlooked alto player – a wonderful album that features Lennie playing in quintets with Bill Perkins, Bob Gordon, Stu Williamson, and Hampton Hawes – plus added string quartet backings on most of the tunes – making for a shimmering sound that's really ... CD
A tight little set from Barney Kessel – recorded in 1960 at a back room studio at Contemporary with a small live audience! Kessel and his guitar are joined by Marvin Jenkins on piano and flute, Gary Peacock on bass and Ron Lundberg on drums – and the feel is easily swinging, in that ... CD
An odd choice for material, but a surprisingly nice record – and just the kind of session needed to break Barney Kessel out of some of his too-familiar trio modes of the 50s! The record here features jazz takes on tunes from the opera Carmen – in case you didn't figure that out from ... CD
Much more interesting than some of Barney's earlier records – possibly because he's working with a hip, flexible combo – one that includes Marv Jenkins on piano and flute, Jerry Good on bass, and Stan Popper on drums. The tracks are a mix of groovers and mellow numbers – with ... CD
A simple but elegant set from the west coast scene of the 50s – one that features the trio of "poll winners" Barney Kessel on guitar, Ray Brown on bass, and Shelly Manne on drums – all coming together in tight formation for the set! There's a well-crafted mood to the record ... CD
An excellent bit of soul jazz – completely rare in the original pressing, and one of the few early albums ever cut by organist Melvin Rhyne! Rhyne first came to prominence as the organist with Wes Montgomery – and he hailed from Montgomery's hometown of Indianapolis, and had the ... CD
A rare pre-Blue Note gem from pianist Duke Pearson – originally recorded in 1961 for the short-lived Jazzline label! The set appears here in a short-lived 1969 incarnation from Prestige – issued, no doubt, to cash in on Pearson's growing fame at Blue Note – and the record's a ... CD