This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Beautiful work from Michael White – one of the few musicians who can actually make us love the sound of the violin in jazz! White's working here in a style that's very much in line with some of the post-Coltrane spiritual soul jazz in Impulse in the early 70s – an approach that's free-t ... CD
A very early date as a leader by McCoy Tyner – cut at a time when he was making big waves in the John Coltrane Quartet, but also sounding plenty darn great on his own! The group here's a trio – with Coltrane associates Art Davis on bass and Elvin Jones on drums – and the warm ... CD
A great counterpart to some of Archie Shepp's studio albums for Impulse – a live date recorded in San Francisco, with a slightly freer, sharper edge! The sound is almost free at times, but always with that strong sense of focus that Archie brought to his brilliant work of the time – ... CD
A record that will blow your mind – way different than you might expect from the cover! Sure, Pee Wee was a bit of a traditionalist on his instrument – the clarinet – but he's working here in a starkly modern way that almost recalls some of the best 50s work of Jimmy Guiffre, or ... CD
A rare non-Blue Note 60s date as a leader from Stanley Turrentine – recorded for Impluse when his (then) wife Shirley Scott was contracted to the label – and featuring the talents of both players on some very groovy tracks! The quartet features both Stan's tenor and Shirley's Hammond ... CD
A surprisingly great Shelly Manne album from the early 60s – one that follows a format that has Shelly playing in duo format ("2"), trio ("3"), and quartet ("4") – hence the title! The duo track is incredible – a spare duet with Coleman Hawkins ... CD
The title says it all – as McCoy works his way through a nicely restrained trio set of material that features bass by Steve Davis and drums by Lex Humphries! The tracks are perhaps not as spiritual and far-reaching as Tyner's later work – but they're handled with that richly expressive ... CD
Clubby soul and keyboard funk from the 70s Aussie scene – a record that's halfway between Mark Murphy's Muse records of the decade, and some of the tighter soundtrack funk of the time! The sound is jazzy all the way through – often with vocals by keyboardist Hull or a few other singers ... CD
Phenomenal live material from the sextet-era version of the Jazz Messengers! This 2-volume CD series takes a small amount of live material that was originally issued under the 3 Blind Mice title, and adds a huge amount of previously unreleased tracks to expand both CDs into a whopping batch of ... CD