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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
2 smooth jazzy numbers from the Chicago-based 80s group Wind Song – fronted by lead vocalist Angela Charles, a nice sophisticated soul singer, with a style that recalls Phyllis Hyman or Jean Carne during the same period. 12-inch, Vinyl record
A great bit of pop acid house from the UK heyday of the late 80s – a clear follow-up in spirit to hits like "Pump Up The Volume" and "Bomb The Bass", with a similar blend of brazen beats, blasts of sound, and stark samples that come in and out of the mix. A bit more poppy ... 12-inch, Vinyl record
After his Duck Rock/Buffalo Scratch days, this was Malcolm McLaren's next project – an attempt to update opera into a post-disco, hip-hop inflected dancefloor sound. The groove takes electronic beats and layers vocals and washes of sound over the top – presenting famous vocal passages ... 12-inch, Vinyl record