This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A well-titled set from Art Blakey – considering the hard-driving sound of the group! The album's one of the best from that unusual year of 1957 – almost a "lost" year for Art, when he was working away from Blue Note with a very different lineup of the Jazz Messengers than on ... CD
Guitarist Sal Salvador made few albums as a leader during his day – but all of them are a treat, especially this one! The set's a mid 50s outing that features Sal's guitar in a quartet with Eddie Costa on piano and vibes – and grooving in a lightly swinging style that has some traces ... CD
Featuring Campbell's Pyramid Trio group, with William Parker and Hamid Drake. 7 numbers in all, including "Tazz's Dilema", 'Malcolm, Martin & Mandela", "Imhotep", 'Impressions Of Yokahama", "Ethnic Stew & Brew", "Heavenly Ascending" and ... CD
An excellent gimmick – and yet another way that United Artists was trying to push its "Bond" catalog in the 60s! Count Basie brings a soulful swing to the work of John Barry – hitting hard on the tracks with his own smoking piano, and an orchestra filled with some of his best ... CD
A beautiful large-concept album from Keith Jarrett – one that features his piano, the bass of Charlie Haden, and the tenor and soprano sax of Jan Garbarek as the main solo instruments over larger string orchestrations! There's a sense of excitement to the record right from the start – ... CD
One of those key cases where Miles Davis took a familiar song and made it his own! The set's a live one, and features a famous 15 minute version of "My Funny Valentine" – played by Davis in a spacious, open sort of way – and one that has key hints of the modernism to come in ... CD
A classic meeting between alto giant Lou Donaldson and Blue Note's crack Three Sounds combo – the great piano trio led by the mighty Gene Harris! The formula was one that Blue Note employed on a number of sessions from the time – and it makes a lot of sense, because the Three Sounds ... CD
Chet Baker and Paul Desmond – two of the most distinctive jazz players of their generation, and a combination that surprisingly wasn't used that often on record. Both Chet and Paul are the summation of cool on their instruments (trumpets and alto, respectively) – and the tracks on this ... CD
The first indie release by Amel Larrieux – and a great one! Amel's sounding stronger than ever here – working in stripped-down territory that recalls her earlier work, yet which also put her in the forefront of underground soul artists keeping the genre fresh and strong. After years ... CD