This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A great little session that builds on the strength of Johnny Hodges' small group 50s sessions for Verve – and which lets Duke Ellington in on some of the action! The format is nicely stripped-down throughout – featuring Hodges in sextet and septet formation with players that include ... CD
One of Basie's biggest albums – but still a work of pure genius! "April In Paris" is one of the darkest jazz standards ever written, and it never sounded better than in this original version, which features that great ending in which Basie and the band stop, then start, then stop ... CD
Hip and groovy work from Phil – very different than both his earlier bop-heavy sides, and his freer European recordings – recorded with some great backings by Johnny Pate, the excellent Chicago soul arranger who also did some great soundtrack work! Pate's come up with some tight short ... CD
An overlooked gem from the 60s – Duke Ellington work that was recorded as part of the famous Duke & Ella At The Cote D'Azur album, but issued separately, under the name Soul Call! The stunning thing about the record is that, working on a live date in front of a European audience, with ... CD
Madly tripped out guitar funk – and a real turning point in the career of guitarist Eddie Fisher! Eddie began his career as a straighter guitarist on the St Louis scene – and although his first album for Cadet was a relatively traditional soul-jazz outing, this one's a wild batch of ... CD
A great little blowing session for Verve – one that has Dizzy Gillespie working here with two different "Sonnys" – Sonny Stitt and Sonny Rollins, both of whom play tenor on the set! The tracks here are all quite long and open – more loose vehicles for extended soloing ... CD
Oft-overlooked album that's actually one of Getz's most far-reaching of the 60s! Recorded in the year before he got caught up in his bossa pop frenzy, the record shows Getz as a darkly toned modernist, weaving out complex solos over the album's extended suite "Focus", written and ... CD
Searing live work from Eric Dolphy – part of a series of recordings that set a whole new standard for live jazz recording! The record features Dolphy going even farther out than on his studio sides from the time – as the record features very long tracks performed by a crack group that ... CD