This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A pivotal album in the career of Charles Mingus – one that really has him honing his sound, and reaching for that trademark mix of modernism and raw emotion that set a whole generation on fire! The album's a lot more freewheeling than other Mingus material from the time – although ... CD
A fantastic sextet session recorded in 1961, shortly before Booker Little's death – and filled with all the promise and power he ever packed into his playing! There's a sharp, angular groove to many of the numbers here – that mix of modern and hardbop that was cresting best in the ... CD
One of the few albums ever recorded by pianist Herbie Nichols – an incredible player with a sound and sense of modern expression that rivaled the best 50s work of Thelonious Monk and Elmo Hope! This session is Herbie's only one for the Bethlehem label – but it stands nicely next to his ... CD
A split album that combines work from 2 different early 10" LPs on Bethlehem – both led by some of the best bassists to record for the label at the time! The first 6 tracks are classic work by Oscar Pettiford – some of his best as a leader, and cut with a hip group that includes ... CD
An excellent swinging Bethlehem session from the mid 50s – one that's recorded in LA, but with a sound that's way hotter than most of the label's other west coast sides! The group's extremely tight – and features Marty Paich on piano as the leader, next to great trombone from Herbie ... CD
A killer date from two of the hippest tenors of the west coast scene in the 50s – Bill Perkins and Richie Kamuca – both musicians who worked in the cool school, but could also come across with plenty of soul! The album's got both tenors working head on – hitting counterpoint ... CD
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers ... CD
A completely unique little session – and a record that's every bit as musically striking as you might guess from its title and cover! The date's a rare Latin-tinged one for trumpeter Kenny Dorham – a record that takes his usually smooth sound and sets it up against octet backings with ... CD
A great album by Lee Morgan – and one not to pass up! The Rumproller often gets too easily lumped next to The Sidewinder – because of an obvious title and cover similarity to that hit record – but like that one, the album's far more than jazz cliche – and shows Lee Morgan ... CD
A great follow up to the legendary Study In Brown album – featuring work recorded by Clifford Brown in the 50s, but not issued until nearly 30 years later, in this Japanese-collected batch of rare material! As with the original album, the core group on the record features Clifford Brown on ... CD
Jackie McLean cut some of his best bop sessions for Blue Note – and this is one of them! The record is amazingly precise, and features Jackie as the sole horn soloist in a group with Walter Bishop on piano, Jimmy Garrison on bass, and Art Taylor on drums – a crack rhythm combo that ... CD
A great return to form for Chet Baker – his first record in a number of years away from the studio, and proof that his genius could adapt to just about any setting! The album's got a tight focus that's probably one of the keys to its success – a set of arrangements by Don Sebesky that ... CD