This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
The Euro (€), Pound (£), and Japanese Yen (¥) prices listed here are all approximate prices,
to be used for comparison purposes only.
They are updated every day based on currency rates quoted to us by our bank —
please understand that the final rate charged to you by your bank may differ.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
One of the few great records that Paul Chambers made as a leader, and a haunting set of somber hardbop recorded with Horace Silver, Donald Byrd, Kenny Burrell, and John Coltrane. The writing is great, and the group has a nice dark edge that gives the session a slightly different sound than other ... CD
Amazing stuff by Ronnie Foster – a sweet little album of slow funky keyboard tones, much more loosely arranged than his later work, with a dope groove that was years ahead of its time! The album's in some ways a blueprint for some of our favorite jazz-based hip hop – and although ... CD
A beautiful album of mellow-grooving tracks from Lou Donaldson – recorded during his rich post-bop late 50s years, and done with a wonderfully warm sound! The group features Horace Parlan on piano, Blue Mitchell on trumpet, Laymon Jackson on bass, and Dave Bailey on drums – plus Ray ... CD
Fantastic stuff! This was one of Grant Green's first ever sessions, and it's a winner all the way through! Dave Bailey and Ben Tucker back up the young Grant in a set of impeccably played guitar grooves that showcase the brilliant technique of this young genius – straight and to the point ... CD
Genius, pure genius! This album's possibly the most perfectly realized set from the team of Bobby Hutcherson on vibes and Harold Land on reeds – a pair who work here with an electric bass player and a bit of electric piano (the latter from Joe Sample) – hitting territory that's ... CD
Excellent early hardbop work by Miles – recorded in 1952 and 1954, and some of his best early sides as a leader! Tunes are shorter, and perhaps more boppish, than you might expect from some of Miles' other 50s work – but in a way that still allows for many moments of lyrical beauty, ... CD
Could there be a more classic Blue Note session? From the cover, to the title, to the hardbopping grooves of the set, this Sonny Clark late 50s smoker is one of the label's best! Clark's working here at the height of his powers – leading an all-star group that includes Art Farmer on trumpet ... CD
A great little trio session – one of Jimmy's hippest, featuring Grant Green on guitar and Donald Bailey on drums. The talents of Green are quite welcome here – as his lighter touch on the strings makes Jimmy open up a bit more than with some of his other compatriots in this format ... CD