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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or pressing details,
or an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear, or strictly cosmetic flaws.
Includes the complete "For The Record" program of August 7, 1944, featuring the Gene Krupa Jazz Trio with vocals by Peggy Mann, Barry Wood, and Lillian Lane & The Escorts. LP, Vinyl record album
Killer work from Krupa's trio that featured Charlie Ventura on bass and Marty Napoleon on piano – a really wide-open combo with a surprisingly inventive sound! LP, Vinyl record album
Gene Krupa and Gerry Mulligan – hardly a pairing that we would have thought of – but one that works surprisingly well here, and which showcases Mulligan's increasing fascination for larger group settings! The album features Gene on drums with a set of players that include Kai Winding, ... LP, Vinyl record album
Kind of a reprise of earlier days – one that reunites Krupa with Anita O'Day and Roy Eldridge, as the group runs through some material from earlier years. Arrangements are by Quincy Jones, Billy Byers, and Nat Pierce – and the set actually swings more cleanly than some of Krupa's ... LP, Vinyl record album
Classic Norman Granz swing session, with Roy Eldridge on flugelhorn, Alvin Stoller on drums, and John Simmons on bass. Tatum's up front, with some good laidback solos. The LP has a number of short cuts "Night and Day", "This Can't Be Love", "I Won't Dance", and " ... LP, Vinyl record album
Four long tunes – "I Got Rhythm", "JATP Blues", "I Surrender Dear", and "Slow Drag" – played by a group that includes Charlie Parker, Coleman Hawkins, Irving Ashby, Willie Smith, and Lester Young. Classic work in the early Norman Granz mode ... LP, Vinyl record album
This is a volume of six songs recorded after the advent of the long playing record in an attempt to record the complete works of Art Tatum. The six song titles included are "Love For Sale", "Wrap Your Troubles In Dreams", "Louise", "Come Rain Or Come Shine", ... LP, Vinyl record album
The moods of Bud Powell are some plenty darn ones – corners of sound that few other players had explored at this point in time – served up here especially well in the album's gentler numbers, which almost seem like evil doppelgangers to some of the more rote cocktail piano of the 50s! ... LP, Vinyl record album
Stunning early work from Stan Getz – the kind of simple but breathtaking sides that he cut before any of his later fame – in a mode that made him one of the most inventive talents on the tenor sax! Stan's caught here right past the first flurry of initial time in the studio – ... LP, Vinyl record album
Sharp-edged tenor genius from Flip Phillips – and a great illustration of why he was one of the key early stars in Norman Granz' Verve empire! The tracks here are short but hard jamming – with equal contributions from players who include Charlie Shavers on trumpet, Oscar Peterson on ... LP, Vinyl record album
One of the really unique albums on Verve's "Special Series" of the early 50s – a set of tracks that mix modern orchestrations and jazz – written and conducted by Moore, and featuring Calvin Jackson as the lead soloist on piano! Side one features the extended "Concerto ... LP, Vinyl record album