This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
Heavy electro work from Suzanne Ciani – an artist who peaked a bit later than some of her sound library contemporaries – which means she was able to contribute music experimental films, record productions, and video games – and not just the usual mainstream outlets! Ciani's ... CD
A gem of a record from the great Piero Umiliani – and maybe one of his funkiest, grooviest projects ever! The set is more sound library funk than soundtrack – and features some very strong keyboard work in the lead on most track – including Fender Rhodes, moog, Hammond, and even ... CD
80s keyboards sparkle and glisten wonderfully here – a mix of Roland, Yamaha, and Korg keyboards – all played by Mikolaj Hertel in a few very cool suites of instrumental tunes! The music is maybe an extension of 70s electronic sound library modes, but also colored with some of the ... CD
One of the greatest albums ever by studio genius David Axelrod! The album's one of Axelrod's first on his own – cut for Capitol Records at a time when he was working with some of the label's biggest selling soul acts – like Cannonball Adderley and Lou Rawls – turning their ... CD
Chorus vocals and jazzy orchestrations – a real standout from the classic HiFi years at RCA, and the kind of a set that makes us say "Mmmmm . . . Nice!" The record's the only one we've ever seen by Bob Thompson, but it's a real doozy – a set that blends together mostly female ... CD
Pop guitar with jazzy inflections – a wonderful little album that has Walter Raim on the hollow-body electric, working alongside jazz players that include Hank Jones and Bobby Scott on piano, and Don Elliot and Phil Kraus on vibes and percussion! The style is lean and spare throughout – ... CD