This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A beautiful hard burner from Gene Krupa – a perfect example of the way he could skirt different camps of jazz when working in small group format! Players here are all top shelf – and include Ben Webster, Bill Harris, Teddy Wilson, Ray Brown, and Charlie Shavers – a lineup that ... LP, Vinyl record album
Pretty darn nice stuff from Gene – as is most of his small group material for Verve! The record features the stunning reed work of Eddie Shu, a great player who never gets to shine that much in the solo spotlight. Shu plays tenor and clarinet – and the rest of the work features Krupa ... LP, Vinyl record album
One of the first, and most famous, of Norman Granz's landmark JATP sessions – featuring an extended reading of "How High The Moon" that was a bit of jazz history itself! The session was recorded at Syria Mosque Auditorium in Pittsburgh – and featured players that include Buck ... LP, Vinyl record album
An early Norm Granz production, before they were issued under the JATP moniker, though basically the same idea. In fact, this set would later get repackaged as a JATP side. As you'd expect, it's an all star cast, with a group that includes Flip Phillips, Lester Young, Illinois Jacquet, Johnny ... LP, Vinyl record album
A later album by Paul Humphrey, and with production that's a little bit rawer than some of his other 70's releases. The music's made by just Paul and Tony Drake, and the two of them play drums, bass, and lots of electronic keyboards and Arps – in this kind of scatter-shot approach to jazz ... LP, Vinyl record album
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, ... LP, Vinyl record album
Man, that east coast harmony sound couldn't miss in the 70s – as proven by the huge AM radio success of New York City! The band wasn't the greatest harmony group in the world – although they did feature John Brown, who'd cut his teeth in the Five Satins – but when you teamed them ... LP, Vinyl record album
A soaring full length debut from Fred Hughes – a singer who cut some key singles for Brunswick Records in the late 60s, and more than lives up to their strength here on an album! The set's got some very in-the-pocket backings for Fred to work with – arrangements from Sonny Sanders, Tom ... LP, Vinyl record album